Jack Fox
Forum Replies Created
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So what is that button my arrow is pointing at?
jmf
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Yes, I realize it is important and much easier to “log and transfer” the files from the camera directly to FCP.
jmf
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Thanks for pointing me in the right direction. The key to learning is appreciation, not perspiration. We don’t always need to invent the wheel to appreciate it.
jmf
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Thanks. I’ll use Scene File F5. Should the “Rec Speed” be set to “SP” or “LP”?
jmf
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I guess I can shoot in 24p (not advanced) to get it in the timeline as a 60i interlaced footage that would make it more compatible with other camera rolls? The question is what capture settings to use in FCP?
jmf
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I was able to get a copy by Printing to Video, and then capturing a copy from the video camera into FCP. It seems that this is the only way to export a copy that is the same as the one that plays on the canvas. I would sure be interested in hearing any one who may have seen this before. Thanks.
jmf
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As a courtesy for those who may have a similar problem, the problem was solved by opening the source clip in Cinema Tools and hitting the “Conform” button.
jmf
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Thanks to the reference, but since it is my thread I was familiar with it. Those problems were easily solved by Kevin and believe it or not, he did it without single insult, cow, chicken or farm analogy.
jmf
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I understand the camera, but now why the same project file acts differently on two machines. On the PowerMac the browser clips are 23.98, on the laptop using the same project and source files, the clips are 29.97. Although the same, I’m going to try and clean up the clip using “Conform” in Cinema Tools.
jmf
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I set the in and out points and then right clicked on the the clip and chose “duplicate as new master clip” and use the duplicate clip in the timeline.
Both versions are the same.
jmf