Izoneguy
Forum Replies Created
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Hello Tom,
Where you editing in 24p???
How are you getting the 4:3 spots back to tape?
And are the 4:3 QT 29.97??? -
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…which would simply slow the footage down a bit and not fix the interlacing in the footage, yes?
Yes, of course you would need to de-interlace the 29.97 footage if it is 60i.
Problems we will all encounter as 24p gains in popularity. -
Duplicate your 29.97 clip, then
open Cinema Tools – load the clip and conform to 23.98…. -
Other players can use WMV HD…the JVC players claims to PB WMV HD, but
I have not gotten it to work…..
The JVC player plays .TS streams….
Use MPEGStreamclip to MUX a .m2v HD file and an .aiff file….
Convert the audio to MPEG when MUXING….
Also you must either use a 1920×1080 24p file
or a 1280×720 60p file….
a 720 24p file will not work……
Just export as 1920×1080 24p and it still looks good. -
Call your rental house????
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https://panasonic-broadcast.com/download/AJ-HD1400-manual-11807.pdf
Page 61
E-14
“This appears when the signals supplied to the IEEE 1394 (Firewire)
digital interface are at variance from the system format
which is set by this unit.”Check the input signal
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FCP keeps picking them off, I figure about the time all the RED owners
start screaming for REDCODE support – FCP will have all the HDV flavors
supported. But yes, you have no control over the broadcasters and how
they show work….
We have Dish HD with a 52″ Toshiba DLP…I get a better picture than
any other source I have seen anywhere….perhaps looking at a live HD
feed would be better. I have also been delivering HD for clients
using Adtec HD servers playing MPEG transport streams….for now that is real-world
HD deliverables….it will be another couple of years until Ultra-HD will
be deliverable from a set-top box….I could see where shooting and editing
in 4K could produce some fantastic 1080p images…..
I have also been working with shooters who supply timelapse footage from
2K still images….very nice results when shown on HD. -
Now Tony has hit the nail on the head….
I would be more concerned about the conforming.
I have seen some great HDV/DVCPRO HD/Uncompressed you name,
get stepped on and screwed up more by bad frame rate changes.
And depending on what you need to deliver….
talking about going to film???
Then you would probably want to edit in 1080 24p….
And all the sources would need to be de-interlaced.
And Graeme…will projects like this be able to be
encoded with REDCODE using REDCINE? Is REDCODE
better than DVCPRO HD? -
Gary is right….
The sequence setting for 1080 25p footage is 1080 50i…
But you can set Field Dominance to none.