Forum Replies Created

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  • Gary Adcock

    September 8, 2005 at 6:09 am in reply to: capture Uncompressed or convert it internally?

    [ivan] “I have many clips digitized with the dv50 codec. Now I want to do the color correction in uncompressed 10 bit. Do I need to recapture all the clips or Is the same if I change the settings of the sequence and render all the clips with the uncompressed codec?”

    Changing the Sequence settings will not change, fix, or make better the quality of the original footage.

    While the DV50 codec shares many of the excellent qualities of the DVCProHD codec, doing color color correction with any compression is really a nightmare – what is compressed, and do you know how to adjust color to balance for that compression?

    You are on the right track.

    gary adcock
    Studio37
    HD and Film Consultation

  • Gary Adcock

    September 7, 2005 at 6:38 am in reply to: 720P upconvert not cutting it

    [Bob Buruchian] “My lightwave guy says he can’t find pjpeg (75%), he rendered psd uncompressed frames 1080ix1920 at 8 mb per frame”

    your guy cannot find “photojpeg” ( whew!~)
    then use PNG and Targa for still frames or export as an animation codec video stream

    gary adcock
    Studio37
    HD and Film Consultation

  • Gary Adcock

    September 7, 2005 at 6:35 am in reply to: Kona support for the JVC HD100 24p?

    [Tim] “Is there any plan to have the Kona2 work so that I can take full advantage of the 24p capabilities of the HD100?”

    FCP does not support 24 frame editing in HDV. The kona2 handles everything that FCP can and then some.

    gary adcock
    Studio37
    HD and Film Consultation

  • Gary Adcock

    September 6, 2005 at 3:02 pm in reply to: offline capture of HD24p from JH3 deck into FCP

    [rostolls] “see U on NAB by the way my name is Jordi!”

    Nice to meet you, Jordi.

    Stay in touch when it comes to NAB time, I am one of the small group of people that put on the FCPUG Meetings
    at NAB with Michael Horton and Dan Berube.

    gary adcock
    founder
    Chicago Final Cut Pro Users Group

  • Gary Adcock

    September 5, 2005 at 1:45 pm in reply to: That little cable — serial port interface to 9 pin?

    [John] “I have a stealth serial port in my G4. I can’t find the little cable to go to 9-pin deck control. Is it just a standard mini-din to RS-422 cable that I can pick up anywhere?”

    https://www.addenda-elect.com/

    they even now make a USB to RS422 cable.

    gary adcock
    Studio37
    HD and Film Consultation

  • Gary Adcock

    September 5, 2005 at 1:45 pm in reply to: That little cable — serial port interface to 9 pin?

    [John] “I have a stealth serial port in my G4. I can’t find the little cable to go to 9-pin deck control. Is it just a standard mini-din to RS-422 cable that I can pick up anywhere?”

    https://www.addenda-elect.com/

    they even now make a USB to RS422 cable.

    gary adcock
    Studio37
    HD and Film Consultation

  • Gary Adcock

    September 3, 2005 at 5:58 pm in reply to: Powerbook External Drive Recomendation…

    [bill] “G-Raid or Lacie Big Disk?”

    Many of us use both without problem, I have nearly 30 drives of assorted sizes from both manufactures -both offer excellent tech support – I give one warning Lacie does not recommend stacking their drives on top of one another – This is a great recommendation- heed it.

    [bill] “As far as just ingesting the footage from my onboard fw400 from the deck to the fw800 drive is adding a fw400 pci card necessary or just an option? Am I understanding it correctly that I will loose the throughput by keeping them on the same bus therefore fw800 is useless?”

    that is correct Both the 400 & 800 Bus are the same on ALL mac’s – get a$70 PCA card for your laptop to attach your hard drive to. then the system controls the deck and the PCA bus handles the data through put.

    [bill] “As much as i knnow it is a no-no I will probably cut without an exteranl monitor. I will probably move over to dual g5 desktop workstation for color correcting and final output. I figure thsi will allow me to keep the throughput from the fw800.”

    you can use your deck or camera to monitor to a TV in a pinch.

    remember to add a PCI card to the desktop also !!!

    Give to Hurricane Relief — it will make you fell better when you watch the News.

    gary adcock
    Studio37
    HD and Film Consultation

  • Gary Adcock

    September 2, 2005 at 1:20 pm in reply to: HDV Tmelines through KONA 2

    [David Battistella] “Is there an KONA 2 preset for HDV timelines. HAve they implemented HDV playback through the KONA 2 yet?”

    Nope just use the Stock HDV easy setup settings and then set only the external monitor use the to the K2’s external preview to 1080i 29.97 (or 1080i25) – I do it all the time

    IF you only have an SD monitor you can set the output to NTSC or PAL so you can preview on via down-convert.

    gary adcock
    Studio37
    HD and Film Consultation

  • Gary Adcock

    September 1, 2005 at 10:41 pm in reply to: offline capture of HD24p from JH3 deck into FCP

    [rostolls] “Greetings from the Mediterraean Sea!”

    We are glad it is working!

    If your going to IBC stop by and introduce yourself at the AJA booth.

    gary adcock
    Studio37
    HD and Film Consultation

  • Gary Adcock

    September 1, 2005 at 10:23 pm in reply to: Storage with Kona 2

    [Steven Escobar] “I just bought a Kona 2 card for an HDCAM project I want to online. It’s an 85 minute feature and I want to purchase some drives that will last me a couple of years but I don’t want to spend more than $4000 if possible.”

    OK lets look at the numbers 1080 29.97 is about 170 mgs per second.
    when you take into account that you will most likely have at least a 2:1 ratio of footage to final content at full rez for the Online PLUS renders for audio and video, graphics etc.
    My rule in HD isthe storage needs to be 5x the length of the final project.
    So 85 minutes x 1080 29.97 10bit x 5 looks like about 4.2T

    Even SATA is not that cheap. Look to spend about $7K min.

    gary adcock
    Studio37
    HD and Film Consultation

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