[Gabriel Sanchez]

If i´ve understood it, you could do this with Genart Sapphire plugins, exactly with the one called “Shake”, combined with the PP plugin “Basic 3D”. There´s another one called Twitch by Videocopilot, that perhaps could fit your needs, doesn´t do exactly the same, but maybe you like it.

Regards

[Gabriel Sanchez]

If titles are created inside Premiere pro they are saved with the PP proyect file. If color correction is made with the PP color corrector filters, it´s saved with the proyect file too. If its made with any external plugin, editor A must have same plugin instaled in PP than editor B.
Then if both editors have all the original media in both offices, the only thing you have to exchange is the PP proyect file. If not, you can export to a mobile hard disk the full proyect including all the media used in it with the Proyect Manager, so the other editor will be able to open the full proyect and all its sequences.
Editor A and editor B must have same PP version, at least same 64 bit or 32 bit version in order to open proyects with same transitions, filters, etc. CS3 or CS4 proyects can be opened into higher versions, but not the other way around.

Regards

[Gabriel Sanchez]

Have you tried deleting the media cache from the preferences menu?

Regards

[Gabriel Sanchez]

Hi John, thanks for the trick.
I´m doing it making the files offline and then linking to the new files, so i´ll try the other way.

Regards!

[Gabriel Sanchez]

Hi John, thanks for the reply.

Yes, Premiere says something like can´t do that because the relinked files have different audio tracks than the offline ones.

Of course, my computer can handle an online edit with p2 files with no problem, but I´m doing this only for my classes, as i´m a video editing teacher, and a student asked me for the way of editing hd files with a less powerful computer. I´m trying to make a proyect for him to understand this workflow.

The question is not really very important, as the student´s footage is in AVCHD format with (i guess) two stereo tracks, but just wondering how to do it if the footage would be from a p2 camera like mine.

Regards.

[Gabriel Sanchez]

Only fit the timeline work area to the in and out points of each segment you made, export selecting “Only Work area” in the Adobe Media Encoder. Do de same for each segment.

Regards

[Gabriel Sanchez]

I always do that as Jeff says, open an existing title in the titler and choose new title based in the actual one, so text position, character size and family are the same, just write another text and that´s all.

Regards

[Gabriel Sanchez]

I never had this problem using PP CS3, is your version up-to-date? Anyway you can interprete footage right clicking the file in the proyect pannel and changing pixel aspect ratio and framerate.

Regards

[Gabriel Sanchez]

Sorry, i have no more tips, try to Google this or send Adobe your problem to see if they have any info about this bug.

Regards

[Gabriel Sanchez]

Have you tried dragging and dropping files from the proyect pannel to the New element icon in the lower part of this pannel? It creates a new sequence with the same features than your footage. Only have to do it with the first one, the next ones can be dragged directly to the created sequence.

Regards