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Everest Mokaeff
June 29, 2011 at 1:58 pm in reply to: Compressing Different Sizes/Formats into One

Forget ’bout mp4’s. Convert them in prores to work natively. Poor resolution blown-up to HD will look ugly. No free ride, sorry.

Sony PMW-EX3, Canon Mark II 5D, FCS3 in Moscow
http://www.mokaeff.com
Everest Mokaeff
June 29, 2011 at 1:55 pm in reply to: FCP black screen

Try to install all available system and pro application updates from apple to see how it’ll play out.

Sony PMW-EX3, Canon Mark II 5D, FCS3 in Moscow
http://www.mokaeff.com
Everest Mokaeff
June 29, 2011 at 10:43 am in reply to: Canon .mxf files FCP Problems

Can’t you L&T footage without utilizing Canon plugin? FCP works fine w/ mxf files thru native L&T process. I believe Canon pluging somehow messed up. I heard people have troubles with eos pluging of similar nature.

Sony PMW-EX3, Canon Mark II 5D, FCS3 in Moscow
http://www.mokaeff.com
Everest Mokaeff
June 27, 2011 at 10:31 pm in reply to: HD workflow problems

Never use H.264 for editing. Use it only as a deliverable. Next, try to avoid using non-conventional video formats at any cost. In your case it’s video resolution 432 x 240. Solution? Depends on specifics of your project. I’d try to convert all H.264 footage in ProRes and relink. Or may be transcode and re-cut.

Sony PMW-EX3, Canon Mark II 5D, FCS3 in Moscow
http://www.mokaeff.com
Everest Mokaeff
June 27, 2011 at 8:52 am in reply to: New Proapps QT Codecs1.0

Rafael,

As you already know they have nothing to do with fcs 3.

Sony PMW-EX3, Canon Mark II 5D, FCS3 in Moscow
http://www.mokaeff.com
Everest Mokaeff
June 26, 2011 at 8:52 pm in reply to: New Proapps QT Codecs1.0

What exactly do you want to know? I installed them on 10.7. They coexist along with fcp 7. So far so good. 10.6.8 keeps reminding me to install them but I kinda ignore them since I’m not gonna run fcpx on 10.6.8.

Sony PMW-EX3, Canon Mark II 5D, FCS3 in Moscow
http://www.mokaeff.com
Everest Mokaeff
June 26, 2011 at 8:46 pm in reply to: How to make 5D 24p footage show up as 24p in FCP

So what’s a big deal? Ingest clips through L&T or otherwise, drag and drop them on time line. FCP asks to match sequence to clip, you say yes. That’s it. You have ProRes sequence that matches your Canon 5D clips. If you open sequence settings you’ll discover codec (Prores) and 23,976 fps (if you shot in 24 fps mode).

Sony PMW-EX3, Canon Mark II 5D, FCS3 in Moscow
http://www.mokaeff.com
Everest Mokaeff
June 26, 2011 at 5:14 pm in reply to: How to make 5D 24p footage show up as 24p in FCP

Mark II 5D footage is 23.976 if you shoot in 1920 x 1080 24fps.

Sony PMW-EX3, Canon Mark II 5D, FCS3 in Moscow
http://www.mokaeff.com
Everest Mokaeff
June 26, 2011 at 2:01 pm in reply to: Need to deliver 29.97 interlaced but footage is 1080p24

I’m not sure I got the question. Progressive stands for no fields. If you choose upper/lower field dominance for progressive footage then you’ll get interlaced material outputted. Interlaced means a frame consists of two fields upper/lower (or odd/even).

Sony PMW-EX3, Canon Mark II 5D, FCS3 in Moscow
http://www.mokaeff.com
Everest Mokaeff
June 26, 2011 at 12:45 pm in reply to: Need to deliver 29.97 interlaced but footage is 1080p24

Your computer monitor displays progressively. When you play interlaced footage it’s normal to notice lines.

Sony PMW-EX3, Canon Mark II 5D, FCS3 in Moscow
http://www.mokaeff.com

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