Eric Johnson
Forum Replies Created
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Someone on LGG has noted that you can enter TC in the deck control portion of the delivery page…
Also a hack… but serviceable… I’ve asked BMD about TC entry a number of times since v8… recurring answer is that you can with the big panel… which is SWELL… but kind of a weak response.
eric b johnson
online editor | colorist | workflow
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Separate before sending to DaVinci in your NLE. 23.976 media in a 23.976 timeline, 29.97 media in 29.97 timeline….
Keep separate in DaVinci. Separate Projects, timelines, etc… Galeray stills for reference…
Send back to NLE, put back together….
Like I said, not ideal…. but it gives you the most options for post grading frame rate conforms…
Worth noting, I had to do this on a doc I worked on that had 1080 30i and 24p media in a 720p timeline… before that I hadn’t had issues that were insurmountable concerning mixed frame rates… This worked perfectly. There was more back end conforming than I was hoping for, but it did work.
eric b johnson
online editor | colorist | workflow
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You can also leave the timeline inspector open on the Color page and leave it on “Clip” instead of “system”… Then you just need to know the camera’s naming convention…
eric b johnson
online editor | colorist | workflow
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If you are opposed to a Preconform workflow, then the best way would be to separate you media based on frame rate…. understandably not ideal, but it does work…
eric b johnson
online editor | colorist | workflow
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XML from where/what?
eric b johnson
online editor | colorist | workflow
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Unable to try this at the moment, but couldn’t you sort the sequence in question by flagged material, select all (via Lasso), copy and paste into a new sequence?
Seems like that should work…
eric b johnson
online editor | colorist | workflow
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I haven’t used them for this kind of work because they are so fragile… But I seem to recall reading discussions during the v8 days that stated that these files are a no go in Resolve. Due to how the QTDecoder works…
eric b johnson
online editor | colorist | workflow
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Depending on the quantity of speed changes, and how big they are, you could try recreating them in Resolve.
eric b johnson
online editor | colorist | workflow
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I had forgotten about Lightworks…
eric b johnson
online editor | colorist | workflow
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I would be very careful with that workflow… it may work with one shot, but the longer your timeline is the less likely you will remain stable, you will also start seeing issues with FCP titles rendering incorrectly as well as having potential issue with any graphics that may be coming from Photoshop or AE… I have had consistent failure in FCP7 when using any material over 3500px in any direction (that is a max avg, usually issues can start with too many images/sources above 3000px also).
FCP7 was not meant to support larger than 2k frames. Please take this under consideration before you invest to much of your time into something that may need to be redone later.
That said, I hope it works out and warnings/caveats are for not.
eric b johnson
online editor | colorist | workflow
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