David Gaudio
Forum Replies Created
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Trying again to attach the photo comparison file as a smaller file this time…
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For me, it was facing up to the inevitable. FCP 7 was a dead app, who knows what forthcoming OSX version it will no longer load into, so I, like thousands of other professional editors, had to look for an alternative. Premiere was certainly an easier transition than Avid for me, as it was so similar to FCP 7. FCP X wasn’t ready for prime time back then, and has become more so since, but I’m fairly happy with Premiere, so I’m going to stick with it for now, while keeping my eye on FCP X’s progression.
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As another FCP switcher, I have found that to be a major annoyance as well. The ability to just copy and paste a title card anywhere, and then edit it separately is much faster than having to duplicate the original title in the browser over and over again, always having to rename it.. For those of us who have a timeline full of the same card with just differences in the text, this becomes a cumbersome and laborious experience. I hope Adobe is listening, too…
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Fabulous – thanks so much, Jon!
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Thanks – I was hoping not to have to apply the filter to every edit individually – just wanted to know if there was a way to apply a filter to a single camera within a multicam, but globally on a timeline rather than edit by edit.
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Hi Tim,
Yes, that’s correct – media folders I created myself. Which has worked fine up until now…
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Hi Jeff,
I probably did not, so that’s something I will remember in the future, thanks.
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Wow. Even Avid has been late to this game, but at least they finally added it in MC6 (I have Symphony 6, so I’ll look for it there). I really hope Adobe addresses this in version 6.5! Along with a few other things, it’s one of the biggest shortcomings I’ve yet encountered while transitioning from FCP 7 (another being the apparent lack of multitrack timecode displays in the timeline)
Thanks for the info, Shane…
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I have had the same delivery requirements and can’t figure this out in Premiere either. It looks like all you can export are either mono or stereo QT files. I’ve had to export my final video from Premiere, then import it into FCP 7 with my final audio files and export from there for a finished multitrack QT file (one with 5.1 mono tracks and stereo comp tracks along with the finished video).
I’d be very interested if anyone has any suggestions regarding this, as Larry Jordan seemed to indicate this was a shortcoming of both Premiere and Media Encoder as of now…
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I should also mention that I’ve tried to export directly to Audition, which works fine, and then exporting an OMF from there. Whenever I’ve done this, Audition crashes…
