Forum Replies Created

Page 98 of 169
  • David Battistella

    April 24, 2006 at 1:49 pm in reply to: Gradient polarizer

    In the viewer windoe there is a render gradient in the drop down menu.

    You can lay the gradient over the shot. Adjust the colors and cut a feathered mask around your talent.

    I use that as an instant grad filter all the time.

    David

    Peace and Love 🙂

  • David Battistella

    April 24, 2006 at 1:47 pm in reply to: 17″ MacBook Pro released today

    Ah,

    But still no PCIMCIA slot for all those P2 users out there. pooh!

    What a drag for panasonic.

    David

    Peace and Love 🙂

  • David Battistella

    April 24, 2006 at 1:39 pm in reply to: Batch Capture Uprezzing problem

    This has solved the problem for me in the past. In AVID you use decompose. IN FCP you make a new project. It actually works quite nicely this way because you end up with a project per episode and it keep s the project sizes smaller, easier to open, track and archive.

    David

    Peace and Love 🙂

  • David Battistella

    April 24, 2006 at 12:02 am in reply to: Aurora Capture/Work With Kona 3

    I would do a test first. I think that the K2 will see the footage as uncompressed because it is basically so similar to the Apple codec that i would be hard pressed to think that it won’t see it.

    I can do a test at the office tomorrow because I run both systems.

    Also. If you are planning to run 10 bit UC on the KONA then you might want to take a look at the Sheer video codec. 10-bit in HD has no real time at all and by running sheer you will only be using about a third of the normal uncompressed.

    I am testing this workflow and plan an upcoming article on using the Sheer Codecs as the staple for 10 bit uncompressed HD. You can capture with this codec, it is uncompressed but the algorythm results in about one third the file size.

    So, let’s say you do 10 bit UC project, then you need to render all of that stuff too. so it doubles your disk space needs. It matters when dealing with the large file sizes required in HD.

    Stay tuned

    David

    Peace and Love 🙂

  • David Battistella

    April 23, 2006 at 9:52 pm in reply to: Aurora Capture/Work With Kona 3

    There is little or no decernable difference between the Apple, Kona, BMD and Aurora Codecs when it comes to 10-bit uncompressed. I recently considered running the Aurora codecs in the KONA 2 system, but I decided to stick with the KONA easy setups.

    David

    Peace and Love 🙂

  • David Battistella

    April 21, 2006 at 1:52 pm in reply to: FCP w/Kona 3 dropping frames

    Is there something going on in the background on the network?

    David

    Peace and Love 🙂

  • David Battistella

    April 19, 2006 at 9:22 pm in reply to: Slightly aliased

    More info,

    codec, settings etc.

    if it is DV it is to be expected.

    David

    Peace and Love 🙂

  • David Battistella

    April 19, 2006 at 4:21 pm in reply to: Final Cut Pro 6

    I thought we’d be seeing 5.5 first?

    back in the day, the 5.5 release of AVid was probably it’s very best software version release ever.

    david

    Peace and Love 🙂

  • David Battistella

    April 18, 2006 at 2:52 am in reply to: timeline zooming like Avid

    Command M was one of my favorites in Avid because you could just draw the area you wanted to zoom. You can do this in FCP by selecting the zoom tool and using control or option to draw around the part of the TL you want.

    David

    Peace and Love 🙂

  • David Battistella

    April 17, 2006 at 9:59 pm in reply to: Still Image projection + TV

    This is a very good tutorial to watch, and it is right here on the cow!

    You can apply most of the principles to FCP as well. This is the perfect primer for preparing stills for FCP.

    https://forums.creativecow.net/cgi-bin/page_wrapper.cgi?forumid=98&page=https://www.creativecow.net/articles/kramer_andrew/slideshows/index.html

    David

    Peace and Love 🙂

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