David Battistella
Forum Replies Created
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LOGIC.
David
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All video within FCP is an estimation.
Any one of several LCD displays can give you different results. DVI vs. VGA etc.
You can only trust the FCP scope, an external scope and an external NTSC monitor setup properly.
David
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Use an easy set up pto ensure that all of your settings are matched.
THis sounds like a problem of mismatched sequence settings.
Easy Setup>HDV
David
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Select the sequence in the timeline.
Right click and selct open in Viewer
Apply any filters you want.
Ajust them.
Render
david
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add a marker
park the position bar on the marker
key below the escape key ` or ~ is the symbol
select add chapter marker.
done.
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I can vouch for the LEd light panels. Awesome. Get the kit if you can.
David
Peace and Love 🙂
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My bad.
I read the post to quickly ad did not immediately realize it was the LH. The Miranda would work with a K2. I think AJA makes a version of this converter as well.
To think. I wrote and article on etiquette and then in one of my first posts back . I blow it!
David
Peace and Love 🙂
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What happens when you put the image in the timeline and then double click on it?
FCP will autostretch in the view in the viewer.
david
Peace and Love 🙂
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Jeff,
In a short deadline situation like yours I would be tempted to capture all of the footage through a Miranda bridge to the DVCPRO HD codec. Use a KONA preset for the, 59.94 1080i. (29.97 is 59.94).
If you do it this way you will get more RT and you will keep file sizes smaller.
Are you planning an online of this? If not then just go with the DVCPRO HD.
On longer projects I would stay in HDV until the thing is cut and then trnascode that footage to a 8 or ten bit uncompressed codec for the online.
David
Peace and Love 🙂
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Walter,
I agree that there needs to be a critical CRT for broadcast work, but for film finishes Projectors are a good way to go.
The reason people are bringing raids and Macs into theaters with Christie Digital projectors is because that is the same brand of projector found in most theaters with Digital projection.
Thes very high end projectors can display the dynamic range of the cineon color space and are as close as it gets to what a 35mm print will look like.
The CRT is still the way to go for broadcast work but the beauty of a setup witha raid and a Kona card is that you can feed the HD-sdi output directly to a Christie, very very pristine and accurate images.
So for film finishes it is nice that these options are now out there.
David
Peace and Love 🙂