Chris Borjis
Forum Replies Created
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Ya, we lost several hours of work.
trying to salvage what’s left with xml back to CS 6 to get them finished.
Perhaps someone from Adobe could weigh in
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I edit AVCHD from a sony nxcam almost daily.
Your system should be fine.
see if you can enable the one you have manually. (do a google search for that)
Having a CUDA or OpenCL capable card will make your workflow smoother for sure.
But you should be able to edit that footage as is.
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[Sean Ian MacGowan] ” You knocked it out of the park with this one.”
They did indeed.
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this might help:
Quick walkthrough of Multicam cc
I’m new to multicam, (another editor usually does them) but beware,
that once you finish an edit, the only way to revise it with
the current version of cc is to edit the cuts by hand.going back to the
multicam mode” to change edits screws up the entire
sequence.It’s a known issue and Adobe is aware of the problem.
Hope they fix that asap.There’s a discussion on Adobe’s own forums about it.
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You’re Welcome
1.5 Terabytes including ProRes HQ deliverables. (1.78 & 2.35 aspect masters)
and all the various uncompressed 24-bit .wav file audio stems.total for HDV source footage and fcp 7 edit sequence and 8-bit uncompressed
renders of 1.5hr feature was just over 1 Terabyte. -
I just finished deliverables on an indie feature for a major USA film studio.
The movie I onlined was shot on Canon XLH1 @ 1440×1080 HDV 1080p 23.98You wouldn’t believe how good it looks based on that.
Though I did make sure ZERO HDV rendering ever happened
and deleted the renders that did exist after i took posession.
The sequence compressor was switched to 8-bit uncompressed…it
was the only option that worked to get it exported.It got a passing grade when it was QC’d and the Studios are happy with
what we delivered. 1920×1080 23.98 HDCAM-SR & ProRes HQ files.Long story short, DNxHD 220 should be fine.
I believe its actually 220 Mbit/s, did you mean 10-bit? it supports 8 and 10.But I would highly suggest upgrading your PC/Cuda or OpenCL enabled GPU and hopping onboard
the Premiere CC train before you ingest a single file of footage.It will make your life that much less stressful.
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Hell yes, the new multicam + auto sound sync rocks!
I just did one a client brought in that was a major cluster F&%#$!
Premiere CC synced everything up…saved me possibly a day and a half.
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I set the output to Kona3G, PCI in mac audio preferences.
works!
no affect on premiere. (good)
thanks
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Bob, in ame cs 6 highlight the user presets folder at the very top
then just above and to the right you see a folder with
an arrow point right.click that and all your user defined encode
settings will export.then launch AME CC and use the one to the left
of the exporter to import them. I have found
some of my imports fail, the ones I used for
DVD and Blu-Ray encoding, but most import fine.back on topic, on mountain lion the user library
is invisible.to make it visible so you can copy your keyboard shortcuts
launch terminal:run this
sudo chflags nohidden ~/Library