Angelo Lorenzo
Forum Replies Created
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I would suggest looking into Plural Eyes https://www.singularsoftware.com/pluraleyes.html
It can process two versions of your timeline: one where the sync audio is under your camera audio, and another where your sync audio replaces your camera audio.
If your edit is locked, I would just grab the demo so you can finish your work. If you edit similar projects often, then I strongly suggest buying it.
Angelo Lorenzo
Fallen Empire – Digital Production Services
RED transcoding, on-set DIT, and RED Epic rental services.
Fallen Empire – The Blog
A blog dedicated to filmmaking, the RED workflow, and DIT tips and tricks -
Yes, I missed that and edited my response on how to check his rocket card.
Angelo Lorenzo
Fallen Empire – Digital Production Services
RED transcoding, on-set DIT, and RED Epic rental services.
Fallen Empire – The Blog
A blog dedicated to filmmaking, the RED workflow, and DIT tips and tricks -
It’s most likely the lack of having a Red Rocket. If I recall correctly, Adobe’s Mercury Playback engine is optimized for inter-frame codecs: h.264, AVCHD, XDCAM, MPEG2, MPEG4. All the MPEG variants are the most common interframe codecs and usually the most difficult to edit natively.
Red Redcode (R3D) is an intra-frame codec. Each frame is discrete. What’s cool about Redcode is that it uses wavelet compression, as you process less of the file, you still get an image but one with less detail. That’s why you can set the quality to 1/2, 1/4, 1/8 and so on.
The Red Rocket does the most computationally expensive process, the image debayering, in hardware. It sounds like you don’t have the Red Rocket enabled in Premiere.
Try the following:
– In your project bin right click a Red file and select “Source Settings”– At the bottom of the window that pops up with all the Red raw settings, make sure to set Premiere to use any available Red Rocket cards.
If the setting is grayed out then restart your computer, open Premiere and try again. If you open Redcine-X before Premiere, it will “claim” the Red Rocket card. Adobe is also weird about releasing the Red Rocket card when the program closes, so you may sometimes see it disabled in Redcine-X. Again, a restart fixes the issue.
Angelo Lorenzo
Fallen Empire – Digital Production Services
RED transcoding, on-set DIT, and RED Epic rental services.
Fallen Empire – The Blog
A blog dedicated to filmmaking, the RED workflow, and DIT tips and tricks -
Nevermind, seems like the 2> command will do just fine.
Angelo Lorenzo
Fallen Empire – Digital Production Services
RED transcoding, on-set DIT, and RED Epic rental services.
Fallen Empire – The Blog
A blog dedicated to filmmaking, the RED workflow, and DIT tips and tricks -
You may find https://aenhancers.com/ a much better resource for learning scripting as well as requesting fairly simple scripts like what you’ve described.
*EDIT* looks like someone has already helped you out.
Angelo Lorenzo
Fallen Empire – Digital Production Services
RED transcoding, on-set DIT, and RED Epic rental services.
Fallen Empire – The Blog
A blog dedicated to filmmaking, the RED workflow, and DIT tips and tricks -
I don’t think there are any hard and fast rules about placement. I’d say the further, the better. This allows more room for placement of rim lighting and depending on how much light you’re pumping in, you may still get a lot of spill at 3-4-5-6 feet. You’ll have to play that by ear.
In terms of exposure, whatever your subject is reading on the key side, that is what your green screen should also be reading. Unless you’re lighting for something really high key or low key, your screen should be +/- 1 stop from where normal scene exposure is. A good spike in the middle of this histogram if you don’t have a light meter is a safe bet.
Angelo Lorenzo
Fallen Empire – Digital Production Services
RED transcoding, on-set DIT, and RED Epic rental services.
Fallen Empire – The Blog
A blog dedicated to filmmaking, the RED workflow, and DIT tips and tricks -
You want an insert edit. This page will tell you all about it, and a few other ways of placing a clip on the timeline.
https://help.adobe.com/en_US/premierepro/cs/using/WS1c9bc5c2e465a58a91cf0b1038518aef7-7d27a.html
Angelo Lorenzo
Fallen Empire – Digital Production Services
RED transcoding, on-set DIT, and RED Epic rental services.
Fallen Empire – The Blog
A blog dedicated to filmmaking, the RED workflow, and DIT tips and tricks -
I experience the same thing. As to why Adobe chose to remove those, I don’t know.
Adobe is up front with the render queue being a stripped down version of Adobe Media Encoder. It does have practical limitations like the lack of two-pass encoding.
You can always drag your comp from the project library in After Effects and drop it into Adobe Media Encoder if you need to get to MPEG2.
Angelo Lorenzo
Fallen Empire – Digital Production Services
RED transcoding, on-set DIT, and RED Epic rental services.
Fallen Empire – The Blog
A blog dedicated to filmmaking, the RED workflow, and DIT tips and tricks -
I would say check out this tutorial and anything similar on Youtube.
https://www.youtube.com/watch?v=98HmDhALzNY
Angelo Lorenzo
Fallen Empire – Digital Production Services
RED transcoding, on-set DIT, and RED Epic rental services.
Fallen Empire – The Blog
A blog dedicated to filmmaking, the RED workflow, and DIT tips and tricks -
I had some lag issues with Premiere and and a USB3 hard drive. I haven’t dug into the problem, but I was told to jump into the computer BIOS where you may find different modes for the USB3 connection.
Angelo Lorenzo
Fallen Empire – Digital Production Services
RED transcoding, on-set DIT, and RED Epic rental services.
Fallen Empire – The Blog
A blog dedicated to filmmaking, the RED workflow, and DIT tips and tricks