[Alan Lacey]

Thanks Kevin, yes I suppose I could have checked this on the the monitor (I have a IO connected but it wasn’t on at the time as this was a quick edit for known computer (QT playout)

I’ll check out the HQ flag – is that a ‘per clip’ setting.

Alan

[Alan Lacey]

Agreed, sounds brilliant.

Alan

[Alan Lacey]

That’s the sort of solution that was going through my mind but I don’t know c4d well enough to impliment it, thanks a lot Simon I’ll give that a go too.

Alan

[Alan Lacey]

Yes, of course thanks Bjorn. Hell, why didn’t that occur to me?

Alan

[Alan Lacey]

Shake, I’d love to Walter, but another long learning curve??

Also aren’t they selling it off as there’s something new coming along (and another learning curve I suspect)

Alan

[Alan Lacey]

Dont forget AfterEffects, Commotion Pro – probably really cheap now as it’s more or less dead, but with a wonderful motion tracker, or Combustion – a bit pricy just for stabilization.

Alan

[Alan Lacey]

Also if you have your ‘slomo’ clip in a track of it’s own on the TL, and lock all the others.

Alan

[Alan Lacey]

Have you tried *.tga

Alan

[Alan Lacey]

Difficult to know what to grade colour on these days with so many viewing options. I know the accepted truth is still a broadcast grade CRT but if your producing DVDs your viewers will have a variety of displays.

Alan

[Alan Lacey]

Totally ageed Thrillcat, but some of us have to edit material that we have no control over upstream.

Alan