Wow, great thread…. I don’t even want to talk about it.
There’s a feature film getting cut upstairs which they had to hire a “union” assistant editor for
He’s making TWICE what I do… and asked one day, while pointing to the VCR in the edit bay, “Is that the Digibeta? How do I connect it to the Avid?” It’s frustrating as hell. Yeah, i make salary and don’t need to worry about not being booked for a couple weeks at a time, but this kid barely know his ass from a G5 in the ground.
it blows my mind how nontechnical people are in this business… and how they manage to still make money