Aaron Neitz
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After Effects Coin
Forum Replies Created
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Let me just throw this out: have you repaired permissions lately?
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That’s pretty much it. Give it a test, it’s been awhile since I’ve done it.
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The SD footage – is it filmed? that is 24fps with pulldown? or is it 60field video-style footage?
The thing to do is pulldown removal on the SD footage so it’s 24fps, plop it in the timeline and it’ll look fine.
graphics at 23.98.
I don’t know how the BM card does it, but Kona outputs 59.94 from a 23.98 timeline very cleanly.
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I can’t say for RED… but given the amount of P2 we’ve been seeing lately: Let the clients know that they will need to spend $$$$ on storage. Lots of it. And everything needs a backup.
“Just because you’re shooting digital doesn’t mean it’s going to be cheap” -Me
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This always works for me:
AE = render to Animation + Alpha. Premultiplied
FCP = Modify -> Alpha -> Black -
I trust OWC enough just to put in fresh when your computer arrives. But definitely hold onto the Apple RAM for a time in case there are problems… Also Apple is a little pain-in-the-ass when you need warranty repair and have non-Apple RAM
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It won’t accept 720p/23.98
Set Kona to 720/59.94 even in your 24fps timeline. Panny Pro looks great. It just dupes frames, and you’d be pressed to tell
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That’s an error that crops up all the time… even on a modern FCP suite.
Try switching your render location. Repair permissions…. Does it sometimes render and sometimes not, even though nothing’s changed? That’s my experience
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Kona LH is fine.
HDCAM is pretty standard… however if you need to deliver 5.1 mixes, you need to go with an 8channel D5 or HDCAM-SR… or you’ll need DA88 tapes to go with the HDCAM. The station reqs will sum it up.
Some places also accept DVCPRO-HD tapes.
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That’s a expensive question.
First, what is thetation’s delivery reqs for HD?