Willie Toth
Forum Replies Created
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Bring the clip into the edit side and highlight a small section of JUST NOISE then go to EFFECTS > NOISE REDUCTION > NOISE REDUCTION > CAPTURE PROFILE > OK … Now highlight the whole clip and go back to the noise reduction filter, use the PREVEIW and BYPASS to check your settings and then OK … The worst thing about the noise is like a dripping faucet at night you will be hyper sensitive to it but use extreme CAUTION to not over do it … Start at about 60% and work up from there clicking the BYPASS off and on till you get enough of the noise out so it’s not distracting but doesn’t affect the voice if you take too much the voice can get really ugly … Background is the worst since it covers a wide range of frequencies and trying to remove it will cause you to take away from something you may not want to take away from making it sound less than, or just plain ugly … Going into spectral view might help also … Anyway you look at it the background noise is going to be ……. WILLIE
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Emmett and I are rowing our boats in the same sea on this one … There isn’t a quick fix for and you can expect to mix and remix until you get what you are looking for … There is a fine line here but if you stick with the idea that “less is more” it will help … The other biggie is the speakers … If you are using standard stereo speakers or headphones to mix with you will never get a good mix … It might sound OK on your system but played elsewhere it won’t sound right … If you get a muddy sound pull out a bit of midrange … In most cases I have found that this is all you need to do with your git’s depending how you recorded them and remember unless if there is an effect that you can’t produce in post record everything flat … The
-35/+35 pan is pretty standard so I can’t agree more with Emmett … It’s all about getting experience, training your ear, and reading as much as you can … Listen to a well mixed production of the same style of music on your system, then work at recreating that sound with your music ………….. WILLIE -
First thing you should know is that 2.0 sucks really bad and it wasn’t written to work on a vista operating system although there are some that have had minimal luck using vista … I don’t have 2.0 on any of my computers but in 1.5 on the SESSION side go to OPTIONS > DEVICE PROPERTIES
Across the top there should be a tab that says REWIRE click on the tab and then click on ENABLE, it should show your mic … For further help go to HELP > CONTENTS then to REWIRE WORKING WITH Hope this solves your problem …. WILLIE -
Mike,
What version are you using? Are you recording through a mixing board? If you are using a mixing board I think it is the likely source of your loop … If you aren’t then you have something set wrong in your track mixer causing the problem check for proper routing … WILLIE
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Kate,
Bring your MP-3 into the session side, highlight the area you want to mixdown right click on the track right below and then click on mixdown selected audio clips and TA DA you have it … If you have a problem just let me know or reference the help file ……… WILLIE
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Everyone who does audio has their own way of doing final mix … Audition isn’t a mastering program yet it will give you darn good final mix … For me, once I have a mix that is EQ’d then I will use the hard limit feature which brings the stuff in the bottom closer to the peaks and limits the peaks to your desired settings … One thing that is very inportant is if your using a home stereo system to mix on you already have problems, if this the case I would look into a pair of studio monitor speakers … I like to hard limit +6db, depending on my clips volume) with a max limit to -1db, but in todays digital world most everything in limited to -.1db … A 2 second lead in on each clip is what I personally like to use and in most cases is pretty much the standard … OK, Emmet it’s your turn ……. WILLIE
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Everyone who does audio has their own way of doing final mix … Audition isn’t a mastering program yet it will give you darn good final mix … For me, once I have a mix that is EQ’d then I will use the hard limit feature which brings the stuff in the bottom closer to the peaks and limits the peaks to your desired settings … One thing that is very inportant is if your using a home stereo system to mix on you already have problems, if this the case I would look into a pair of studio monitor speakers … I like to hard limit +6db, depending on my clips volume) with a max limit to -1db, but in todays digital world most everything in limited to -.1db … A 2 second lead in on each clip is what I personally like to use and in most cases is pretty much the standard … OK, Emmet it’s your turn ……. WILLIE
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Everyone who does audio has their own way of doing final mix … Audition isn’t a mastering program yet it will give you darn good final mix … For me, once I have a mix that is EQ’d then I will use the hard limit feature which brings the stuff in the bottom closer to the peaks and limits the peaks to your desired settings … One thing that is very inportant is if your using a home stereo system to mix on you already have problems, if this the case I would look into a pair of studio monitor speakers … I like to hard limit +6db, depending on my clips volume) with a max limit to -1db, but in todays digital world most everything in limited to -.1db … A 2 second lead in on each clip is what I personally like to use and in most cases is pretty much the standard … OK, Emmet it’s your turn ……. WILLIE
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Sorry, but Audition isn’t going to be able to take the vocal out of a mono track without trashing everything else
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-6db is industry standard … I would use the hardlimit function depending on the gain of your file amplify by 1 to 6 db with a peak limit of -6db …….. WILLIE