Walter Soyka
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This problem sounds similar to one in a thread a couple of posts down:
https://forums.creativecow.net/thread/2/1137770It sounds like a re-install fixed the problem for the poster there. You should probably use Adobe’s Creative Cloud Cleaner Tool to completely uninstall before re-installing:
https://helpx.adobe.com/creative-cloud/kb/cc-cleaner-tool-installation-problems.htmlIf you want to try something less invasive before the complete uninstallation/reinstallation, maybe try temporarily removing any third-party plugins.
Walter Soyka
Designer & Mad Scientist at Keen Live [link]
Motion Graphics, Widescreen Events, Presentation Design, and Consulting
@keenlive | RenderBreak [blog] | Profile [LinkedIn] -
Select all your country layers, duplicate them, then precompose [link] them. Use the resulting precomp layer as an alpha track matte [link] for a solid with the Grid effect applied.
Walter Soyka
Designer & Mad Scientist at Keen Live [link]
Motion Graphics, Widescreen Events, Presentation Design, and Consulting
@keenlive | RenderBreak [blog] | Profile [LinkedIn] -
I’d try resetting preferences as my first troubleshooting step. Hold Ctrl+Alt+Shift (Windows) or Command+Option+Shift (macOS) while starting After Effects.
Walter Soyka
Designer & Mad Scientist at Keen Live [link]
Motion Graphics, Widescreen Events, Presentation Design, and Consulting
@keenlive | RenderBreak [blog] | Profile [LinkedIn] -
Do you get any error messages?
Walter Soyka
Designer & Mad Scientist at Keen Live [link]
Motion Graphics, Widescreen Events, Presentation Design, and Consulting
@keenlive | RenderBreak [blog] | Profile [LinkedIn] -
The technical team should provide you a pixel map that makes it clear what will be shown and what is out-of-bounds.
Walter Soyka
Designer & Mad Scientist at Keen Live [link]
Motion Graphics, Widescreen Events, Presentation Design, and Consulting
@keenlive | RenderBreak [blog] | Profile [LinkedIn] -
Ron, I’ve written a little script to sequence clips according to timecode in Ae, but it needs some testing. If you’re interested, let me know how to get in touch with you and we can give it a spin and squash anybugs before I release it publicly.
Walter Soyka
Designer & Mad Scientist at Keen Live [link]
Motion Graphics, Widescreen Events, Presentation Design, and Consulting
@keenlive | RenderBreak [blog] | Profile [LinkedIn] -
Personally, I’d probably either:
d) Send individual pairs of clips to Ae via Dynamic Link, then use Render and Replace in Pr, or
e) Set it up in Pr, then import the .prproj and finish in Ae.
Walter Soyka
Designer & Mad Scientist at Keen Live [link]
Motion Graphics, Widescreen Events, Presentation Design, and Consulting
@keenlive | RenderBreak [blog] | Profile [LinkedIn] -
You can use hold keyframes [link] to stop the interpolation between keyframes. Select one or more keyframes for holding, right-click, and choose “Toggle hold keyframe.”
Instead of interpolating from that keyframe’s value to the next in the time between them, Ae will hold that value until it hits the next keyframe, then instantly change to its new value.
Walter Soyka
Designer & Mad Scientist at Keen Live [link]
Motion Graphics, Widescreen Events, Presentation Design, and Consulting
@keenlive | RenderBreak [blog] | Profile [LinkedIn] -
Most cloud storage providers have a sync feature that allows you to work locally in your hard drive like you always do (inside one specific folder), while your files are mirrored to the cloud in the background.
We use Dropbox that way, but the same approach can work with OneDrive, Box, and Google Drive.
Walter Soyka
Designer & Mad Scientist at Keen Live [link]
Motion Graphics, Widescreen Events, Presentation Design, and Consulting
@keenlive | RenderBreak [blog] | Profile [LinkedIn] -
You’re seeing that difference because you’re linearizing the working space (which in turn means that the same RGB values correspond to different colors). Color management works on actual footage, but not on synthetic footage or color controls.
You can do one of several things:
Uncheck “linearize working space.”
Use a Color Profile Converter effect to de-linearize the comp (either on an adjustment layer or downstream in a precomp).
Resample the colors manually with the eyedropper from the color-managed footage.
Walter Soyka
Designer & Mad Scientist at Keen Live [link]
Motion Graphics, Widescreen Events, Presentation Design, and Consulting
@keenlive | RenderBreak [blog] | Profile [LinkedIn]