Forum Replies Created

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  • Walter Biscardi

    May 11, 2005 at 4:29 pm in reply to: FCP vs. Avid

    For general comparisons of FCP vs. AVID, then do a Search on this forum for AVID and you’ll find tons of responses.

    [Chris] “My problem is that the G5 doesn’t have a breakout box for RCA, S-Video, BNC and XLR connections for some of our decks”

    Look at the AJA Io. There are three versions. The full Io features all analog and Digital I/O for the Mac along with RS-422 control. The Io LA is just Analog I/O and the Io LD is just Digital I/O.

    For full on HD, look at the AJA Kona 2. It’s works perfectly in conjuction with the Io series and offers full 10bit SD and HD on the same card for around $2,000.

    Walter Biscardi, Jr.
    Creative Genius, Biscardi Creative Media
    https://www.biscardicreative.com

    Now in Production, “The Rough Cut,” https://www.theroughcutmovie.com

    “I reject your reality and substitute my own!” – Adam Savage, Mythbusters

  • Walter Biscardi

    May 11, 2005 at 3:34 pm in reply to: Kona real time analog HD downconvert?

    [alan] “Cinewave did it and I need it! Thanks in advance. My workflow consists of shooting on varicam, editing 720p uncompressed and delivering BetaSP.”

    It works perfectly and like the CineWave, Kona 2 will output both HD and downconverte SD simultaneously. I switched from Cine to the K2 and it’s a pretty seamless transition.

    Walter Biscardi, Jr.
    Creative Genius, Biscardi Creative Media
    https://www.biscardicreative.com

    Now in Production, “The Rough Cut,” https://www.theroughcutmovie.com

    “I reject your reality and substitute my own!” – Adam Savage, Mythbusters

  • Walter Biscardi

    May 11, 2005 at 3:33 pm in reply to: Kona real time analog HD downconvert?

    [J. Montellano] “On a related note, is it really a necessity to have the optional SDI board, BKM120D, for PVM20L5 if the Kona 2 does the downconvert to SDI and component? “

    Not completely necessary but certainly a nice option and the SDI signal is a bit cleaner. I have it installed on my PVM20L5/1 and it does have a better image than the Component, especially when working with digital originated footage.

    Walter Biscardi, Jr.
    Creative Genius, Biscardi Creative Media
    https://www.biscardicreative.com

    Now in Production, “The Rough Cut,” https://www.theroughcutmovie.com

    “I reject your reality and substitute my own!” – Adam Savage, Mythbusters

  • [Bob Zelin] “Even though I live to disagree with Walter, he is absolutely correct about the J3.”

    Well, we HAVE to agree from time to time, right? 🙂

    The J3’s been such a great workhorse I’m looking at the JH3 right now which is the HDCAM version of the player.

    Walter Biscardi, Jr.
    Creative Genius, Biscardi Creative Media
    https://www.biscardicreative.com

    Now in Production, “The Rough Cut,” https://www.theroughcutmovie.com

    “I reject your reality and substitute my own!” – Adam Savage, Mythbusters

  • Jim one thing I did over a year ago was to purchase a Sony J3/902 for all my Beta playback via SDI. BetaSP was pretty much the only thing left for me to worry about Component inputs so by purchasing the deck for a client who shoots all DigiBeta. I’ve found even my BetaSP looks better playing down SDI than Component. It’s a player only, but has been a great investment in our shop.

    Walter Biscardi, Jr.
    Creative Genius, Biscardi Creative Media
    https://www.biscardicreative.com

    Now in Production, “The Rough Cut,” https://www.theroughcutmovie.com

    “I reject your reality and substitute my own!” – Adam Savage, Mythbusters

  • Walter Biscardi

    May 11, 2005 at 1:24 am in reply to: Io now feeds Kona2 ! (repost from Io forum)

    Hey Bill! Thanks for the great news, that’s very very cool.

    Walter Biscardi, Jr.
    Creative Genius, Biscardi Creative Media
    https://www.biscardicreative.com

    Now in Production, “The Rough Cut,” https://www.theroughcutmovie.com

    “I reject your reality and substitute my own!” – Adam Savage, Mythbusters

  • Walter Biscardi

    May 11, 2005 at 1:08 am in reply to: Monitor opinion

    [Chris Poisson] “Can you explain how this monitor interacts with broadcast NTSC specs? I mean, this is a computer monitor no?”

    It’s a progressive mixed format monitor so it’s a computer monitor AND video monitor. How accurate is it for NTSC specs? Pretty darn good as far as color and contrast.

    I wouldn’t use it for final color correction, but certainly for field monitoring and even in my secondary suite, it’s outstanding. I would never believe it without seeing it.

    Walter Biscardi, Jr.
    Creative Genius, Biscardi Creative Media
    https://www.biscardicreative.com

    Now in Production, “The Rough Cut,” https://www.theroughcutmovie.com

    “I reject your reality and substitute my own!” – Adam Savage, Mythbusters

  • [Kevin Monahan] “I don’t think it’s reliable at all. It’s already a krap shoot with FireWire drives and slow FireWire ports on cams driving down performance as it is. “

    Perfectly reliable here when I do this method. Again, as long as it’s one drive and the camera going through the drive, it’s no problem at all.

    Sure it’s better to separate the devices, but if you can’t it’s not a problem.

    Walter Biscardi, Jr.
    Creative Genius, Biscardi Creative Media
    https://www.biscardicreative.com

    Now in Production, “The Rough Cut,” https://www.theroughcutmovie.com

    “I reject your reality and substitute my own!” – Adam Savage, Mythbusters

  • Walter Biscardi

    May 10, 2005 at 8:35 pm in reply to: Panasonic AJ-HD1200A assemble edit ?

    [Steve Mahrer] “The 1200A deck CANNOT perform ANY edit function, sorry to be rude (block caps) but this is a recurring issue”

    Steve, the deck performs Edit to Tape (Assemble Edits) here all the time via Firewire control from Final Cut Pro. It’s not perfectly frame accurate, but it’s generally good within 2 frames.

    Walter Biscardi, Jr.
    Creative Genius, Biscardi Creative Media
    https://www.biscardicreative.com

    Now in Production, “The Rough Cut,” https://www.theroughcutmovie.com

    “I reject your reality and substitute my own!” – Adam Savage, Mythbusters

  • [gary adcock] “you comments on latency are not vaild if you use the IO for capture and the K2 for playback.”

    Absolutely. I’ll second Bob and Gary on this one, Io LA is the way to go for Component input with a K2 system. The best thing about the Io is that it’s an external box and you can move it from system to system. In my case, we have two suites plus a mobile system so the ability to move a box around to the system which needs the Analog input at that moment is extremely helpful which is why whenever we actually need an analog source again, I’ll pick up the LA that very day.

    Walter Biscardi, Jr.
    Creative Genius, Biscardi Creative Media
    https://www.biscardicreative.com

    Now in Production, “The Rough Cut,” https://www.theroughcutmovie.com

    “I reject your reality and substitute my own!” – Adam Savage, Mythbusters

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