Forum Replies Created

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  • Resolve should ignore the clip names in the first place and go by reel name from the XML, which should remain untouched unless they really botched the transcoding job.

    I always have a bit of a struggle making it work in Resolve and I forget exactly what it is everytime. But renaming clips in FCP should not be an issue at all.

    If you’d like I can check out your resolve project and see how its settings differ from my R3D based ones.

  • Vladimir Kucherov

    August 2, 2011 at 5:36 pm in reply to: Disabling RED Source Settings

    Do versions store R3D decoding as well? I always thought it was just nodes.

  • Vladimir Kucherov

    August 1, 2011 at 10:19 pm in reply to: Disabling RED Source Settings

    No idea if there’s a button for this on the big panel, but my only thought would be to create an empty node grade that has RED settings set to default, and disable source protection in the gallery.

  • Vladimir Kucherov

    July 30, 2011 at 1:55 am in reply to: Node connection too picky?

    To be fair I can see whether I have a power window or a key on a node right away based on the thumbnail. And as I said before, with curves, the tabs are a bit messy right now, if you don’t have the discipline to organize yourself in some sort of way.

    I don’t think it’s the nodes that are the problem but the tabs – clicking a node or clicking a layer is pretty much the same thing (esp if nodes can be labeled) but checking tabs is the problem. Right now every new feature in Resolve gets a new tab, and at some point it’s going to become impractical.

    IF (and this is an if) Resolve will want to grow their effects capabilities to compete more directly with some of the other all in one packages out there they will have to have some sort of more dynamic control area that can be customized.

  • Vladimir Kucherov

    July 29, 2011 at 10:09 pm in reply to: Matching the Offline

    Yep, on the color page, first play a still from your gallery. Any still, it just needs the still playback on. Then you can select “reference mode” from the menu until it’s in “offline” mode, and set the wipe type to mix.

  • Vladimir Kucherov

    July 29, 2011 at 2:19 pm in reply to: Log vs. Linear

    Sean,

    I’m actually not exactly sure what you’re asking. As far as I know Color doesn’t even have that many setup settings – what you see is what you get, as it usually is grading for video.

  • Vladimir Kucherov

    July 29, 2011 at 2:17 pm in reply to: RESOLVE LITE questions from “newbee”

    The link to the manual is right above the Lite download link. Also I believe it’s inside the DMG you downloaded.

    https://www.blackmagic-design.com/support/detail/?sid=3948&pid=11735&os=mac&leg=0

  • Vladimir Kucherov

    July 29, 2011 at 4:10 am in reply to: Log vs. Linear

    Arri has a LUT generator for post processing here:

    https://arridigital.com/technical/luts

  • Vladimir Kucherov

    July 29, 2011 at 12:28 am in reply to: Locate to a TC

    Been asking for this myself. Hoping to see it added in a future update. It seems like an easy thing to add, but who knows.

  • Vladimir Kucherov

    July 28, 2011 at 10:01 pm in reply to: Node connection too picky?

    Hmmm well the only thing that seams easier to understand about that screenshot is the layers are named.

    I can see some use in copying single elements but again, nodes seem flexible to me in this regard. You can simply do less things per node and have more of them organized in some logical way.

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