Vince Gaffney
Forum Replies Created
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I tried everything and discovered it by accident. But it worked and I’m still setup that way. My video is coming in component and i believe that the green channel has sync?
somehow it works great. i thought my problem was using a digi002r but it was out of sync either way.
vince
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I had the exact same problem with a m15u. I finally switched to capture audio over f/w instead of analog into the LHe and now it’s fine – perfect sync. I spoke to AJA several times but we never figured it out.
vince
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The SDI output on the XL H1 does not output 24p(f). It’s got pull down added. The only way to get the 24f out is via F/W. You can control the camera via firewire and capture video over SDI.
HTH
Vince
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thanks walter. i’ve already ordered my upgrad an cannot wait to strat explroring it.
vince
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thx. i found a way with quicktime conversion to export aif’s of each track. they’re actually for me so i can do a rough mix for the client.
vince
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It’s not the OMF export that’s problematic, Pro Tols won’t open it without Digitranslator. I was just looking for an alternative approach. Thanks
vince
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I don’t have digitranslator and was hoping there was a way around it aside from making duplicate timelines and exporting the tracks individually. Is there a way in STP? I have that. I also have 21 versions of these commercials. Thanks.
vince
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I love mine. i teetered between the two cameras and went with the canon for the HD SDI port and interchangeable lenses. I had it on a production last week and we had every output running except composite – to client monitors, to video assit for the operator,to video playback, to audio with TC and the F/W to a little HV10 velcroed to the battery mount for back up. that H1 took a four day beating and never flinched.
i captured all the HDV stuff into FC via Kona LHe as 10bit uncompressed SD. I’m cutting it against d-beta color corrected 16mm layoffs and dv50 existing footage and it looks beautiful. It held up flawlessly.
vince
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what shutter speed was it shot with? And how was it captured? I’ve seen some really beautiful and fluid 24f footage.
and for what it’s worth, i was told by a canon tech rep that 24f also provides 20% more information per second. same bit rate distributed over fewer GOPs. I don’t really get it, but I’ll buy it becasue it makes sense.
vince
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i’ll get back into mine and see if i can replicate the situation. it does sound like one of those weird little setting nishaps.
vince