Forum Replies Created

Page 46 of 89
  • Tony

    February 20, 2006 at 11:02 pm in reply to: FinalCut… Everything in the timeline has to render….! Help

    You might also want to check if RT extreme is enables when using the particular codec you have chosen.

    Tony Salgado

  • Tony

    February 20, 2006 at 10:47 pm in reply to: SDX900 price drop – any thoughts?

    Unless you are doing a filmout or intend on eventually buying an HD camera the extra cost for the HD lens is not worth it.

    On that note if I was doing a film out today I would not be shooting with ENG lenses instead I would opt for primes.

    Tony Salgado

  • Tony

    February 19, 2006 at 12:17 am in reply to: TV Effect

    Malcolm in d middle was shot on HDCAM using F900 cameras.

    A simple techinque is to reshoot a monitor with the video being played back on screen.

    You can reframe, snap zoom etc for more creative options.

    Tony Salgado

  • Tony

    February 19, 2006 at 12:15 am in reply to: 8mm

    Yes indeed this is possible.

    Sony and Kodak have keep this quasi film/tape hybrid a major secret for over ten years now.

    But to keep it simple just take some old 8mm film and jam it inside any standard vhs deck for a quick playback check. No need for a telecine xfer and the cost savings are wonderful.

    What the heck wuz you thinkin????\

    Tony Salgado

  • Tony

    February 19, 2006 at 12:04 am in reply to: portable HD-SDI downconverter to composite?

    Have you considered how you intend to deal with the timecode?

    A better method is to use the standard def SDI and verify if the embedded timecode and audio are retained.

    Then you could use a dvcam deck with SDI inputs to record video,audio,and timecode all embedded and in time with each other.

    Tony Salgado

  • Tony

    February 18, 2006 at 4:36 pm in reply to: Footage from corporate events

    No excuse for poor subject lighting,

    The staging company primary concern is the environment not the subject. If the primary client complains you must instruct them to force the staging company to comply or hire your own gaffer lighting company to deal with the subject lighting only.

    A quick suggestion is to soften up the subject lights instead of using spot lighting on them which can be harsh.

    You also can ask the intensity to be lowered to match the background levels so the overall scene does not look so blown out or overexposed.

    Tony Salgado

  • Tony

    February 18, 2006 at 4:30 pm in reply to: L.A Videographer needed, must respond within 1 hour

    Sounds like the job is suitable for a emerging film student who owns a dv camera package.

    No real skill set needed for lighting or camera work just point and shoot.

    Whoever does this job should require COD payment.

    Tony Salgado

  • Tony

    February 18, 2006 at 4:24 pm in reply to: New Panasonic HD Camera

    Kevin,

    You are correct Jeff did not discuss any new models at the Varicamp where he made the original comment regarding no new Varicam models to be revealed at NAB 2006.

    Tony Salgado

  • Tony

    February 18, 2006 at 5:15 am in reply to: Bay Area Baby and DP parent needed for one year documentary

    I don’t have a wife or kids yet but I want to join in on the fun.

    I can shoot however.

    So just find me a kid actor who is yet to be born and a actress wife and lets all make a movie.

    Tony Salgado

  • Tony

    February 18, 2006 at 5:12 am in reply to: Miami Vice

    Just because the trade mags post the hype does not mean any of it is true or factual.

    I attended in person a meeting where Michael Mann spoke about his experiences with Collateral and it was quite a different story than the Millmeter article mentioned.

    Regardless of what equipment is used the most important piece of “equipment” will always be the crew behind the gear.

    People not equipment make the images memorable.

    Tony Salgado

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