[Tom Wolsky]

No Samsung cameras are supported by FCP. They shoot a proprietary format that doesn’t import into the application. You might see if you can use Compressor or MPEG Streamclip to convert the media to QuickTime ProRes or some other format that can be imported into FCP.

All the best,

Tom

“Final Cut Pro X for iMovie and Final Cut Express Users” from Focal Press
“Complete Training for FCPX” from Class on Demand
Class on Demand DVDs “Complete Training for FCP7,” “Basic Training for FCS” and “Final Cut Express Made Easy”

[Tom Wolsky]

A little more information might help. What camera are you talking about? What format does it shoot? What format did you shoot if it shoots multiple formats? What’s your video recorded on?

All the best,

Tom

“Final Cut Pro X for iMovie and Final Cut Express Users” from Focal Press
“Complete Training for FCPX” from Class on Demand
Class on Demand DVDs “Complete Training for FCP7,” “Basic Training for FCS” and “Final Cut Express Made Easy”

[Tom Wolsky]

Rolling shutter and stabilization are still in the inspector. They’re there for clips in the timeline, not in the browser.

“only place I can find it is in Modify -> Analyze and fix. But when I deselect it there, the clip doesn’t revert to the original.”

I have no idea what that means.

Analysis is also available from the shortcut menu for a clip.

It was removed from importing because it completely bogged down background tasks unnecessarily. It’s very rare that anyone wants to analyze for stabilization and rolling shutter every, single clip they import. You probably only want to run it on the clips you’re using in your project.

All the best,

Tom

“Final Cut Pro X for iMovie and Final Cut Express Users” from Focal Press
“Complete Training for FCPX” from Class on Demand
Class on Demand DVDs “Complete Training for FCP7,” “Basic Training for FCS” and “Final Cut Express Made Easy”

[Tom Wolsky]

No idea. It’s been there since v0 and it’s never worked.

All the best,

Tom

“Final Cut Pro X for iMovie and Final Cut Express Users” from Focal Press
“Complete Training for FCPX” from Class on Demand
Class on Demand DVDs “Complete Training for FCP7,” “Basic Training for FCS” and “Final Cut Express Made Easy”

[Tom Wolsky]

You could put the clip on a layer above and ramp the opacity, but you’re still going to need media. I don’t see how you can have a transition without something to transition through. You could make a hold frame and transition that. You can make the hold frame as long as you want.

All the best,

Tom

“Final Cut Pro X for iMovie and Final Cut Express Users” from Focal Press
“Complete Training for FCPX” from Class on Demand
Class on Demand DVDs “Complete Training for FCP7,” “Basic Training for FCS” and “Final Cut Express Made Easy”

[Tom Wolsky]

Doesn’t work in FCP. You either have to use an existing title. Or use a custom title and create a build in that does what you want. Or use Motion.

All the best,

Tom

“Final Cut Pro X for iMovie and Final Cut Express Users” from Focal Press
“Complete Training for FCPX” from Class on Demand
Class on Demand DVDs “Complete Training for FCP7,” “Basic Training for FCS” and “Final Cut Express Made Easy”

[Tom Wolsky]

It can only get longer if there is available media for the handles needed to create the overlap.

All the best,

Tom

“Final Cut Pro X for iMovie and Final Cut Express Users” from Focal Press
“Complete Training for FCPX” from Class on Demand
Class on Demand DVDs “Complete Training for FCP7,” “Basic Training for FCS” and “Final Cut Express Made Easy”

[Tom Wolsky]

You could be right, but how did you get that from the message?

All the best,

Tom

“Final Cut Pro X for iMovie and Final Cut Express Users” from Focal Press
“Complete Training for FCPX” from Class on Demand
Class on Demand DVDs “Complete Training for FCP7,” “Basic Training for FCS” and “Final Cut Express Made Easy”

[Tom Wolsky]

If background rendering is off, Control-R will render a selection.

All the best,

Tom

“Final Cut Pro X for iMovie and Final Cut Express Users” from Focal Press
“Complete Training for FCPX” from Class on Demand
Class on Demand DVDs “Complete Training for FCP7,” “Basic Training for FCS” and “Final Cut Express Made Easy”

[Tom Wolsky]

You could if you wish do it exactly the same way in FCPX. Put one clip on the primary storyline, connect the same clip to the head of it, shift it a frame, mix it by 50%.

All the best,

Tom

“Final Cut Pro X for iMovie and Final Cut Express Users” from Focal Press
“Complete Training for FCPX” from Class on Demand
Class on Demand DVDs “Complete Training for FCP7,” “Basic Training for FCS” and “Final Cut Express Made Easy”