Tom Wolsky
Forum Replies Created
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Not so. When v5 came out Apple said at last year’s NAB that a lot of work had been done on MM. Subsequent updates had references to fixes to MM, including fixing the really bad freeze frame bug.
All the best,
Tom
Author: “Final Cut Pro 5 Editing Essentials” and “Final Cut Express 2 Editing Workshop” Class on Demand “Complete Training for FCP5” DVD
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You can double the tracks. You can select the audio and use the nets items function and then raise the level of the nest. You can also use a filter to add pregain to the level.
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The material in the Timeline does not match the sequence settings. Select one of the clips in the Timeline and use Cmd-9 to see its item properties.
Select the sequence in the Browser and use Cmd-9 to see its item properties. If they do not match in every respect the material will need to be rendered.
If they do match exactly and it’s still not working there is a problem with the installation. You’ll need to fully uninstall and reinstall the application from the discs.
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Trash prefs. Give more info.
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If you’re having to render material in the timeline the settings are incorrect. If you used the default settings they’re NTSC. You’re perhaps working PAL. Is this DV material you’re working with that you captured in FCE?
There is no real advantage and some disadvantages to partitioning the internal drive, but they shouldn’t produce the results you’re describing.
All the best,
Tom
Author: “Final Cut Pro 5 Editing Essentials” and “Final Cut Express 2 Editing Workshop” Class on Demand “Complete Training for FCP5” DVD
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There is subtitle tool as such. LiveType will not help you.
Create a template or two for the subtitle using Title 3D or Outline Text and park it in the Browser. Whenever you want to use it drag it Superimpose. Open the one that’s in the Timeline and change the words.
All the best,
Tom
Author: “Final Cut Pro 5 Editing Essentials” and “Final Cut Express 2 Editing Workshop” Class on Demand “Complete Training for FCP5” DVD
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If the Canvas and Timeline are closed, resetting the window arrangement will not open them. A sequence has to be open for the Timeline and Canvas to appear.
All the best,
Tom
Author: “Final Cut Pro 5 Editing Essentials” and “Final Cut Express 2 Editing Workshop” Class on Demand “Complete Training for FCP5” DVD
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There are angle controls in the page peel and the little arrow on t he right side that toggle the page peel functions backwards and forwards.
All the best,
Tom
Author: “Final Cut Pro 5 Editing Essentials” and “Final Cut Express 2 Editing Workshop” Class on Demand “Complete Training for FCP5” DVD
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Make sure you have playhead sync set to open and that you’re playing back the timeline NOT the viewer.
The PowerBook will probably not be able to give you good multicam playback with four cameras. You need a faster computer with faster drives.
All the best,
Tom
Author: “Final Cut Pro 5 Editing Essentials” and “Final Cut Express 2 Editing Workshop” Class on Demand “Complete Training for FCP5” DVD
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Unless you capture the material as a stereo pair, they’re not a stereo pair and can only have their track settings changed in the Timeline.
All the best,
Tom
Author: “Final Cut Pro 5 Editing Essentials” and “Final Cut Express 2 Editing Workshop” Class on Demand “Complete Training for FCP5” DVD