Forum Replies Created

Page 14 of 366
  • Plural Eyes from Redgiant is what you want to sync your sound. It will save you hours of time trying to sync it manually.
    https://www.redgiant.com/products/all/pluraleyes/

    Make sure each shot is slated and use a clapboard at each take.

    Transcode your footage first. Make sure your Audio frame rate is EXACTLY the same as your video frame rate. Same goes for both cameras. Same frame size and frame rate.

    Steve Eisen
    Eisen Video Productions
    Vice President
    Chicago Creative Pro Users Group

  • Adobe Media Encoder has a preset for this.

    [Sam Thomson] “Stream Type: MPEG-2 Transport or Program Stream
    Wrapper: MXF – XDCAM HD422
    Essence Format: MPEG HD
    Video Codec:Sony XDCAM 422
    Video Format: MPEG-2 Long GOP
    Frame Size : 1920 X 1080
    Aspect Ratio: 16 X 9
    Frame Rate: 29.97i
    Bit Rate/Type: 50 Mbps CBR
    Profile: 4:2:2
    Closed Captions: EIA708/608 + SCTE20 (optional)
    Audio Stream Type: AES
    Audio Bits: 24bit
    Audio Sample Rate: 48kHz
    Audio Channels: 8 Channels (Optional beyond Ch.1 and Ch2 Left/Right)

    Steve Eisen
    Eisen Video Productions
    Vice President
    Chicago Creative Pro Users Group

  • Episode (Pro), Sorenson Squeeze and Adobe Media Encoder are alternatives to Compressor.

    Steve Eisen
    Eisen Video Productions
    Vice President
    Chicago Creative Pro Users Group

  • There are acquisition codecs, editing codecs and delivery codecs. FCP works best with editing codecs. As mentioned, these are in the easy setups.

    Unfortunately today, there are far too many codecs. Each has its own algorithms to compress as much data as possible into a video file. The lower the bit rate, the more compressed it is. H.264 is by far the heaviest compressed. H.264 was meant to be a delivery codec.

    Steve Eisen
    Eisen Video Productions
    Vice President
    Chicago Creative Pro Users Group

  • Steve Eisen

    July 4, 2013 at 4:29 am in reply to: Micro P2 Card adapter and AVC-Intra 50

    Regular SD cards are recommended for emergency use only. If you do use a regular SD card, make sure it is a name brand. Delkin Elite and Sandisk Extreme is what you want to use.

    The difference between Intra 50 and Intra 100 is full raster.

    Steve Eisen
    Eisen Video Productions
    Vice President
    Chicago Creative Pro Users Group

  • In addition to the Teranex and Compressor options, for $100 you can use the Standards Conversion plugin from Nattress.

    Steve Eisen
    Eisen Video Productions
    Vice President
    Chicago Creative Pro Users Group

  • If the other person does not need to edit your footage, export a self contained DVCPro HD movie for yourself and use that file in Compressor to encode to an h.264.

    Steve Eisen
    Eisen Video Productions
    Vice President
    Chicago Creative Pro Users Group

  • Steve Eisen

    July 1, 2013 at 12:10 am in reply to: Newbie wants to get started with pro I/O

    You are asking a lot of questions that would take a very lengthy response. Your best option to educate yourself is to visit AJA’s website and read the specs and manuals on their Kona and I/O products.

    Steve Eisen
    Eisen Video Productions
    Vice President
    Chicago Creative Pro Users Group

  • Steve Eisen

    June 29, 2013 at 7:49 pm in reply to: Female BNC plastic sleeve replacement

    In my many years of broadcast, I have never seen such damage. The whole connector would have to be replaced.

    Steve Eisen
    Eisen Video Productions
    Vice President
    Chicago Creative Pro Users Group

  • Steve Eisen

    June 29, 2013 at 7:44 pm in reply to: FCP 7.0.3 dropping audio every 37 seconds

    You never said how you converted your VHS tape. You need to specify your sequence settings and system specs.

    Steve Eisen
    Eisen Video Productions
    Vice President
    Chicago Creative Pro Users Group

Page 14 of 366

We use anonymous cookies to give you the best experience we can.
Our Privacy policy | GDPR Policy