Simon Dunn
Forum Replies Created
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This has no relevance to your question, but I am excited by the idea that I can flush frames the way you mention – how is that done?
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Yeah, just animate a growing mask on the ray layer. Make it circular, and keyframe the expansion from very low to the size of the planet. Feathering the mask will help too.
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Once higlighted,just press the delete key on your keyboard.
You could even automate the process using the Delete Silence effect in the menus.
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If the different stories are intercut with one another across the piece, why not give each story a unique but subtle look – colouring one story blue, another redder etc. Then use some nice funky transitions between each story – ie, Twitch.
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Colour correct it and go home.
Or maybe Twitch over at videocopilot.net can be your friend.
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Thanks. I plan on doing a few more soon.
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An animated displacement map should do the trick. Plenty of tutorials about.
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How about making the note in a 3d application – Blender is free – then rendering out the sequence and importing it into AE. Then you could duplicate the footage above the note and maybe use the Screen transfer mode to make it look like light is hitting the flying note.
Or a simple motion blur on the note you have may make a world of difference.
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Can you duplicate the camera and trim the layers so the second camera takes over from where the first camera left off?
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Couldn’t you time remap? ie, delete the damaged frame from the sequence then use pixel motion to add the extra frame back in between 1 and 3?