Forum Replies Created

Page 2208 of 2285
  • Shane Ross

    December 15, 2005 at 3:34 pm in reply to: HDV – capture card needed?

    Todd is correct.

    As for a “budget HD monitor solution,” I’m afraid that you are looking at close to $4,000 for that. $500 for a decklink HD card (As HDV cannot be monitored out thru firewire like DV can), and minimum $3500 for a very low end HD monitor.

    Shane Ross
    Alokut Productions
    http://www.lfhd.net

  • .MOV files come in many many MANY flavors. What codec did you output to? THAT is the big thing.

    I myself have had no problems with Sorenson 3 at 320×240.

    Shane Ross
    Alokut Productions
    http://www.lfhd.net

  • Shane Ross

    December 15, 2005 at 4:34 am in reply to: Adding Motion to Photos or still pictures

    The size of the photos should be at least DOUBLE the pixel dimensions of the project if you intend to do any sort of moves. 720×480 means that your pictures should be about 1440×960. DPI can be anything, as it is meaningless in the video world (300 or 15, it looks the same).

    Are you judging this quality on an external monitor or TV? That is the only way, as the computer monitors won’t give you a true representation of the footage.

    .pngs or large .gifs or .tifs are best. Avoid .jpg.

    Shane Ross
    Alokut Productions
    http://www.lfhd.net

  • Shane Ross

    December 15, 2005 at 1:45 am in reply to: How are you extrenal speakes hooked up?

    The speaker outs of the G5 to a Behringer 8 channel mixer, then to my Advent Speakers.

    Shane Ross
    Alokut Productions
    http://www.lfhd.net

  • Shane Ross

    December 14, 2005 at 9:55 pm in reply to: Monitoring audio while capturing HDV footage

    I have never had things off sync by seconds. At most, frames…and a small amount. I would only notice that off sync issue when playing audio from the computer speakers out and the video on the external monitor.

    I have never seen a sync issue with capturing…but this is HDV and a lot of decoding is going on. I have captured from DV, betasp and DVCPRO HD and did have sync issues.

    I’ll let people who work with HDV handle this topic.

    Shane Ross
    Alokut Productions
    http://www.lfhd.net

  • Shane Ross

    December 14, 2005 at 8:55 pm in reply to: Motion Control within an Avid

    MovingPicture!

    Found it. Sheesh.

    Shane Ross
    Alokut Productions
    http://www.lfhd.net

  • Shane Ross

    December 14, 2005 at 8:49 pm in reply to: Matching 24p footage “look” within FCP5

    Film effects by nattress.com. It has a filter that gives 30i video the 24P treatment.

    Man, it seems I am plugging this set of plugins for EVERYTHING.

    Nattress, is there anything it can’t do?

    Shane Ross
    Alokut Productions
    http://www.lfhd.net

  • Shane Ross

    December 14, 2005 at 8:44 pm in reply to: Monitoring audio while capturing HDV footage

    You have the camera hooked up via firewire to your computer, and via RCA connected to a TV. This way you can see and hear the audio with no delay. This way you also see the video at full resolution.

    I never use that small reference window.

    Shane Ross
    Alokut Productions
    http://www.lfhd.net

  • Shane Ross

    December 14, 2005 at 3:11 pm in reply to: FCP 4.5 and PCI Express

    #29: Need AGP Graphics card

    Shane’s Stock Answer #29

    You either need to either:

    1) use the following hack –
    https://www.xlr8yourmac.com/feedback/final_cut_pro_on_old_macs.html

    or

    2) Upgrade to FCP 5

    https://docs.info.apple.com/article.html?artnum=302667

    Shane

    Shane Ross
    Alokut Productions
    http://www.lfhd.net

  • Shane Ross

    December 14, 2005 at 2:37 am in reply to: Broadcast Savy

    You misunderstand.

    Your G5 and FCP is FULLY CAPABLE of delivering a broadcast quality tape. It is used all the time for broadcast work, including the Superbowl and the World Series. SCRUBS is done all FCP.

    What you need is training…the knowledge of how to online and prepare a show for broadcast.

    You can try Moviola Digital (LA) and Video Symphony (Burbank), but I think they offer offline training, but you never know. Or they can point you in the right direction. And don’t expect someone to come to your site, you’ll most likely be going to them. Also try Digital Film Tree.

    Shane Ross
    Alokut Productions
    http://www.lfhd.net

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