Sascha Haber
Forum Replies Created
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If I only could find a mixer control now…
Mixing a red version together with a green one, blended by one versions luma or whatever keyed, ahhh , that would be killer 🙂A slice of color…
DaVinci 7.1 OSX 10.6.6
Dual Xeon 2,4 RAM 24 GB
RAID0 8TB eSata 6TB
GTX 285 / GT 120
Extreme 3D+ WAVE -
Would be nice if we could set all available fps settings, globally, for all four windows and with a simple dropdown tab
Like 23,976 for exampleA slice of color…
DaVinci 7.1 OSX 10.6.6
Dual Xeon 2,4 RAM 24 GB
RAID0 8TB eSata 6TB
GTX 285 / GT 120
Extreme 3D+ WAVE -
I am not too much of a fan of node based composting anymore.
10 years of Fusion, Nuke and Flame left their mark.
But I am doing two pass gradings of one Red shot on the scratch very very often and mix them by Luma channel.
So, my two main requests for Davinci would be :
1. Support of OFX plugins.
2. Support of blend modes and picture-in-picture FX with stills, other clips, titles and stuffA slice of color…
DaVinci 7.1 OSX 10.6.6
Dual Xeon 2,4 RAM 24 GB
RAID0 8TB eSata 6TB
GTX 285 / GT 120
Extreme 3D+ WAVE -
Of course your Hackingtosh has a much faster CPU, right ?
480 does not debayer a thing, but its grading performance should be lovely too.A slice of color…
DaVinci 7.1 OSX 10.6.6
Dual Xeon 2,4 RAM 24 GB
RAID0 8TB eSata 6TB
GTX 285 / GT 120
Extreme 3D+ WAVE -
Am I right the offline in Color mode will only be a still and never play along ?
A slice of color…
DaVinci 7.1 OSX 10.6.6
Dual Xeon 2,4 RAM 24 GB
RAID0 8TB eSata 6TB
GTX 285 / GT 120
Extreme 3D+ WAVE -
A simple C-mode button would do the trick.
I love grading in C-mode to compare repeating clips .A slice of color…
DaVinci 7.1 OSX 10.6.6
Dual Xeon 2,4 RAM 24 GB
RAID0 8TB eSata 6TB
GTX 285 / GT 120
Extreme 3D+ WAVE -
I second this 🙂
A slice of color…
DaVinci 7.1 OSX 10.6.6
Dual Xeon 2,4 RAM 24 GB
RAID0 8TB eSata 6TB
GTX 285 / GT 120
Extreme 3D+ WAVE -
I have a lot of crashes using H264 files directly.
But I agree, conversion to 444 wont add anything but space between.
Actually I would convert into DPX.
I am putting everything into folders from now on and just change the version numbers of the folders.
This seems to be the best way to maintain a proper workflow when dealing with multiple version and iterations.A slice of color…
DaVinci 7.1 OSX 10.6.6
Dual Xeon 2,4 RAM 24 GB
RAID0 8TB eSata 6TB
GTX 285 / GT 120
Extreme 3D+ WAVE -
Yep, that scaling issue should be addressed.
I even suggest having the scope show what happens AFTER the output node.
So when you use a sloppy quicktime codec, it should show the result of the file, not the grading timeline.A slice of color…
DaVinci 7.1 OSX 10.6.6
Dual Xeon 2,4 RAM 24 GB
RAID0 8TB eSata 6TB
GTX 285 / GT 120
Extreme 3D+ WAVE -
I would stay away from everything but ProRes 4444 or uncompressed for intermediate grading files.
Only for delivery you should go below and make you client happy.
“please send us a Quicktime not bigger than 10mb for the 2minutes HD project we worked on the last 10 nights” 😉A slice of color…
DaVinci 7.1 OSX 10.6.6
Dual Xeon 2,4 RAM 24 GB
RAID0 8TB eSata 6TB
GTX 285 / GT 120
Extreme 3D+ WAVE