Rohit Gupta
Forum Replies Created
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In the track mode, add a node, and apply the grade. The track node is applied after the clip node corrections.
Regards,
Rohit -
The ATI 4870 seems to need both the 6-pin power cables on the Mac so you won’t have any left for the Q4000.
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Yes – the debug setting can be removed.
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In your message, “*/#R” should be “*/%R”
If this doesn’t solve the problem for you, please send the exported project, EDLs, and screenshots of Browse/Config/Conform(one each for Master session and EDL selected) screen to our help address – davincihelp (at) blackmagic-design.com
Regards,
Rohit -
Hi Nick,
In the DLEDL, when the reel name is clipped to 8 characters, at the end of the file, they put the mapping to the actual reel name:
DLEDL: REEL:2013335 20100402203335
Resolve applies the inverse mapping to recover the full reel name.
Regards,
Rohit -
Yes – 16-bit DPX should work just fine.
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One other option is to use Auto keyframing. Click on the 3rd icon, right next to the lock icon. When this is turned on for any node, any change on that node’s parameter will automatically add a dynamic mark at that frame. You can expand the list and enable it only for a given window if you only want to position the window.
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If you choose the option “Assist using reel numbers”, and choose “Embedding in source clip”, it should retain the reel number in the header of the Quicktime file.
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When you unlink the clips, all your grades are stored with that session only. So if you load a new EDL, it won’t get the grades.
For your current project, you could have saved a copy of the project, and used colortrace to copy all the grades from your EDL session onto the session with handles. It would have used source timecode to match and copy over all the grades automatically (including marks and tracking data).
Here’s a possible variation to the workflow:
1. Create project
2. “Split and Add” into media pool, choose all your EDLs, and choose the amount of handles you want. This will break up the R3D file into separate files so you can apply different Red metadata on each clip.
3. Load the EDL, and grade in context with speed changes, audio, etc.
4. When you are ready to render, you can render from the master timeline in source mode