Forum Replies Created

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  • Robert Due

    October 12, 2011 at 5:29 pm in reply to: Final Cut – XML Clip Speed Ramp Work Flow

    I typically put motion effected shots on an isolated video layer and remove the speed effect – putting them back to their normal speed (adjusting length to account for slo-mo or speed up)

    On the other layers I try to keep everything else in the right order on the timeline.

    Grade in Resolve on all the clips and then on the roundtrip you will just have to reapply the motion effects.

    Of course, copy your sequence before you start removing the speed effects.

    Robert Due
    Editor / Colorist
    INDEPENDENT EDIT

  • Robert Due

    October 10, 2011 at 10:01 pm in reply to: Avid EDL / timecode match

    Perhaps you need to generate the EDL with the Time of Day TC. That may be under the Aux Timecode column in Media Composer. Maybe that will link up to the right picture in Resolve. Worth a try?

    Robert Due
    Editor / Colorist
    INDEPENDENT EDIT

  • Robert Due

    October 10, 2011 at 8:55 pm in reply to: Avid EDL / timecode match

    Is your timeline conformed at 23.98? If it is at a diffeent rate than the offline, that could cause the picture to shift.

    Robert Due
    Editor / Colorist
    INDEPENDENT EDIT

  • Robert Due

    October 7, 2011 at 8:28 pm in reply to: How to unlink selected clips???

    Make a new version for that shot, the rest will stay linked.

    Robert Due
    Editor / Colorist
    INDEPENDENT EDIT

  • Robert Due

    October 7, 2011 at 4:34 pm in reply to: Rendering bug with tracked windows on off-speed clips?

    Try tracking the shot at normal speed, render and redo the speed change back in FCP.

    Robert Due
    Editor / Colorist
    INDEPENDENT EDIT

  • Robert Due

    October 6, 2011 at 2:38 pm in reply to: AVID Media Composer to Resolve.. secret sauce?

    We use the EDL option here. Make sure you select the 16 character option in EDL Manager.

    Hope that helps.

    Robert Due
    Editor / Colorist
    INDEPENDENT EDIT

  • Robert Due

    September 28, 2011 at 2:58 pm in reply to: Not able to Read DNxHD

    Yes, I can import a rendered DNxHD MXF output from DaVinci. So basically, DNxHD QTs are not a supported format for import into Resolve?

    Good to know.

    Robert Due
    Editor / Colorist
    INDEPENDENT EDIT

  • Robert Due

    September 19, 2011 at 8:04 pm in reply to: Offline won’t display

    Here is another question – sort of related.???

    The primary reason I am adding an offline reference is for repos of shots. Is there a way to just import those shots instead of the whole offline?

    My guess would be to use your offset tip on each shot. Find the starting TC for each one and then it will line up where ever it occurs in the time line? THe only downside is that I have to keep changing the reference in the the conform page.

    Thoughts?

    Robert Due
    Editor / Colorist
    INDEPENDENT EDIT

  • Robert Due

    September 19, 2011 at 7:18 pm in reply to: Offline won’t display

    Thanks!!!!
    That did it. So simple – I should have figured that out, but I appreciate it, Sascha.

    Robert Due
    Editor / Colorist
    INDEPENDENT EDIT

  • Robert Due

    September 2, 2011 at 7:30 pm in reply to: Grade Version Management

    The handles aren’t really the problem. It’s the preferred grade that I want to stick. For example, if I have 4 versions of a grade (grades 1 – 3 are old and may be of no use, but I still want to hold onto them) and grade 4 is the FINAL version. I want to open a new time line and make sure I am looking at the preferred grade – not one of the old ones. The new timeline is the handled version and I sometimes have to make sure tracking info is extended on the handles.

    So, without deleting all of my old grades, is it possible to make one grade THE grade that always shows up – regardless of time line?

    Robert Due
    Editor / Colorist
    INDEPENDENT EDIT

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