[Robert Bracken]

FYI I found it in After Effects CC 2017 under Text-3D Text- 3D Basic Rotate Y Cascade

or you can search for “Rot” and it’ll be in there somewhere. Just a suggestion.
Now I’m having trouble with making it shiney.

[Robert Bracken]

How do I learn more about pull down? Where can I see some examples?

[Robert Bracken]

I have a Panasonic 100-300mm lens. It is a mega ois. The max apature is f4. But you won’t notice it.

It was a cheap lens at $300. I use it when I’m shooting a meeting at the back of the room, football game or whatever.

Here’s a video link I found.
https://www.youtube.com/watch?v=RgzLfLa2acA

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[Robert Bracken]

Here’s how to import it into Adobe Premiere cs6.
https://www.adobe.com/content/dam/Adobe/en/products/premiere/cs6/pdfs/adobe-premiere-pro-cs6-p2.pdf

I would always recommend transcoding the footage into what you want. Unless you’re trying to do 60 frames a second then I would bring the footage in through the card structure.

I used to shoot p2 and had the same issues. So I started transcoding the footage before editing, into full 1920×1080 and everything was groovy.

[Robert Bracken]

Thanks for all the help. Right now I’m in the education industry. We were fortunate to get the AF100 now. Hopefully down the road we can get a better processing computer.

My fix so far is to convert the footage to mpeg. That codec works the best. I don’t do heavy color correcting so I don’t need large files.

I think that I wasn’t having as many problems as I thought I did. The slow processor made my footage looked like it had a lot of artifacts.

Thank you for everyone’s help!!! I love this forum.

[Robert Bracken]

Thank you so much!
As a convert from FCPX (not by choice) I’m really enjoying Premiere.

[Robert Bracken]

Here’s photos of what to do.

https://www.premiumbeat.com/blog/stereo-to-dual-mono-premiere-pro/

[Robert Bracken]

I believe CS6 edits all formats natively, correct?

Also, I would edit your project first then either export or NEST your sequence into another sized sequence for delivery.

[Robert Bracken]

This may have answered my question

https://forums.creativecow.net/thread/50/860410

“A filter’s probably faster, but it’s not necessary if you want flexibility. You need to make 3 copies of your image, then isolate the red channel in one, the green in one and the blue in one using something like Channel Mixer on each. Then layer them back together (maybe the Multiply or Add transfer control?) Add a wiggle expression to the anchor point or position of your layers and Viola!

Channel Blur would be another filter you may want to play around with for other aberration looks. It basically blurs a specific color channel.”

[Robert Bracken]

As someone forced to use Quantel, Sony Clip Edit and other Enterprise editing systems a BIG MIDDLE FINGER to those pieces of software. (Not the people who developed them. Sorry for being crude.)

I had to invest my own dollars on Adobe suite of products so my skills wouldn’t suffer and so I could earn jobs outside the workplace.

The people making the decisions are the people using the equipment and they set my career back by making us use that sorry-stupid software.

The reason Apple abandoned the Pro users is because sometimes the Pro users don’t have a say in what software to use. With a $299 price point it will get a AWESOME piece of software into more hands.

Again, sorry for being crude.