Forum Replies Created

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  • Rich Rubasch

    April 14, 2006 at 1:53 am in reply to: Aurora Pipeline Pro vs. Everyone Else

    The Pipe Studio is a great value, has excellent connections and an easy to configure control panel. Works flawlessly in a FCP suite and will provide every possible Standard Def offline and online workflow you need.

    Love mine.

    Rich Rubasch
    Tilt Media

  • Rich Rubasch

    April 11, 2006 at 2:31 am in reply to: Re-sizing Compression…

    What format is it in now? Codec? I assume you are on a PC. If you have Quicktime try exporting the clip to PhotoJpeg at abour 75% and it should give you a pretty small but good looking file for the Mpeg encoder.

    Rich Rubasch
    Tilt Media

  • I’m in the same boat Mike…don’t get 3D soon and I’m gonna get mowed over. I have a question for you. Are you planning to man the 3D ship yourself or hire someone? Because I think I recall you just moved into a larger production company and I wonder if your workload will enable you to really get your head around the software while you also handle compositing, design and editing responsibilities…oh and management of your company.

    So what’s your strategy after you get the package you want?

    Rich Rubasch
    Tilt Media

  • Rich Rubasch

    April 8, 2006 at 11:11 pm in reply to: Hypothetical Da Vinci Code credits…

    I could have used a couple of ease in or out keyframes and the ones and zeros kind of clashed with the imagery…but overall it was a good little experiment and I applaud you for taking the time to build it…and of course, to show it to us all grazing in the pasture.

    Rich Rubasch
    Tilt Media

  • The 6 pixel difference you mention is actually on the top and bottom…..there are 6 additional lines of video with CCIR 601 486 footage. DV and DVCPro50 along with MPEG-2 cut it down to 480. Should you use the CCIR 601 setting? It depends on which codec you will use for the final output. If you want to work in standard DV then use the DV setting (same if you use DVCPro50). If you want to use a 486 codec like Apple’s uncompressed 8 bit then you will set it up with the 486 CCIR 601 setting.

    It is codec dependent not source tape dependent.

    The black on the left side could have been caused during the dub from Beta if one of the deck’s sync was off a bit. There is a horizontal sync setting that could push the image to the left or right. This is not so unusual actually.

    But the 6 pixel difference is vertical not horizontal.

    Rich Rubasch
    Tilt Media Inc

  • Rich Rubasch

    April 6, 2006 at 8:01 pm in reply to: what product from macromedia do I need?

    You are right…there is a free Flash 8 encoder (that is notably not very good…hence it is free). It is quite hard to find on their site. You should look into Sorenson Squeeze or even the latest version of cleaner that both have a much better encoder for FCP to flash encoding.

    Rich Rubasch
    Tilt Media

  • I wonder if it will allow a dual-boot state with both OS running at the same time, like Virtual PC. I like this option because I can directly copy files back and forth between OS’s on the same box.

    Think of it….encode with ProCoder on the XP side and author in DVDSP while it encodes.

    Wow indeed.

    Rich Rubasch
    Tilt Media

  • What they weren’t going to let people do is install the Mac OS on a PC. They never said they would’t allow Windows to be installed on their Intel machines.

    I wonder if it will allow a dual-boot state with both OS running at the same time, like Virtual PC. I like this option because I can directly copy files back and forth between OS’s on the same box.

    Think of it….encode with ProCoder on the XP side and author in DVDSP.

    Wow indeed.

    Rich Rubasch
    Tilt Media

  • Rich Rubasch

    April 4, 2006 at 3:15 am in reply to: Sorenson 3 – frame rate issue

    When you say “arrive” do you mean that is what the clip details say in FCP after importing?

    Or is that what the Movie properties say in QT player? I would open them in QT player and see what they are in movie properties.

    Rich Rubasch
    Tilt Media

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