Richard Knight
Forum Replies Created
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Here is the link to the Surcode manual, this is the plugin for Premiere for 5.1 encoding. This manual also contains the link for the Dolby Digital web site.
https://www.minnetonkaaudio.com/info/PDFs/Manuals/SurCode_Adobe_Manual.pdf
It is quite hard going for a non sound tech
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There is a good chance that your sequence settings do not match your footage. Right click a clip and select ‘make sequence from clip’ option. See if that works.
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I can have a 100% opaque video on track 2 completely covering a video on track 1. If I add lots of effects to the unseen video often I will get a red bar over that section. Premiere seems to start working out the pixel value from the lower tracks upwards even though they are covered by a video that does not need rendering.
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Try just deleting the file, you may have to delete it in the AME folder as well.
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This is the way it works, after rendering if anything is changed you will have to render that portion again.
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CC2014 will use any cuda card with enough memory. It may come up with a warning that the card is not supported but this only means Adobe have not tested it.
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The track order Premiere uses is L,R,SL,SR,C,LFE I have had no problems when exporting to Bluray (using Surcode)
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Try unchecking ‘Composite in Linear colour’ In the sequence settings
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Loudness metering is a lot more complicated than VU or PPM, all the loudness meters have psychoacoustic algorithms to try and duplicate what the ear/brain combination perceives as ‘loudness’
Here in the UK broadcast loudness has been standardised at -23db as read on a loudness meter. Even with this setting depending on how it is broadcast the levels of even the same programme can be different at home. A programme broadcast on SD will have a PCM soundtrack with no dianorm meta data, but the same soundtrack on HD will have a Dolby Digital soundtrack and will have the -23 dianorm setting and will be 10db quieter at home if the home receiver can read this metadata. It seems until the home receivers are standardised there will always be variations of levels.
If you import a Dolby Digital file into Premiere it will change its level depending on the dianorm setting, it will appear quieter than you exported it. -
You could try using Time Warp in AFX. Make the speed 50% this will generate a new frame between each of your originals. Export at 12 fps and import into Premiere then interoperate footage as 24 frame.