Richard Harrington
Forum Replies Created
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Not really. We usually shoot slightly soft or with promist
You’re seeing the actual screen LEDs
Richard M. Harrington, PMP
Author: From Still to Motion, Video Made on a Mac, Photoshop for Video, Understanding Adobe Photoshop, Final Cut Studio On the Spot and Motion Graphics with Adobe Creative Suite 5 Studio Techniques
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Just option key and click don’t save works fine
Richard M. Harrington, PMP
Author: From Still to Motion, Video Made on a Mac, Photoshop for Video, Understanding Adobe Photoshop, Final Cut Studio On the Spot and Motion Graphics with Adobe Creative Suite 5 Studio Techniques
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DO NOT just start changing render settings. Make sure sequ
Ence setup matches footage. Use easy setup. Then render when you add graphicsRichard M. Harrington, PMP
Author: From Still to Motion, Video Made on a Mac, Photoshop for Video, Understanding Adobe Photoshop, Final Cut Studio On the Spot and Motion Graphics with Adobe Creative Suite 5 Studio Techniques
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720p 24pn is way to go. Looks great on web and Blu-ray. Price check HD tape. You’re also ignoring the savings of having to load all that tape. We charge clients 75 per camera per day to use cards. A good deal all around since that’s the cost of an E2 to load 1 hour of tape.
Loading cards takes time but MUCH less than tape c
Richard M. Harrington, PMP
Author: From Still to Motion, Video Made on a Mac, Photoshop for Video, Understanding Adobe Photoshop, Final Cut Studio On the Spot and Motion Graphics with Adobe Creative Suite 5 Studio Techniques
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Look at effect applied to controller layer. Change to use comp camera
Richard M. Harrington, PMP
Author: From Still to Motion, Video Made on a Mac, Photoshop for Video, Understanding Adobe Photoshop, Final Cut Studio On the Spot and Motion Graphics with Adobe Creative Suite 5 Studio Techniques
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Convert rgb mode
Place empty layer on top
Set to color mode
Paint with color
Richard M. Harrington, PMP
Author: From Still to Motion, Video Made on a Mac, Photoshop for Video, Understanding Adobe Photoshop, Final Cut Studio On the Spot and Motion Graphics with Adobe Creative Suite 5 Studio Techniques
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Run easy setup that matches you sevices
Richard M. Harrington, PMP
Author: From Still to Motion, Video Made on a Mac, Photoshop for Video, Understanding Adobe Photoshop, Final Cut Studio On the Spot and Motion Graphics with Adobe Creative Suite 5 Studio Techniques
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Just use Levels and Curves adjustment layers
Photo filters to tint
Dust scratches. Clone etc
Richard M. Harrington, PMP
Author: From Still to Motion, Video Made on a Mac, Photoshop for Video, Understanding Adobe Photoshop, Final Cut Studio On the Spot and Motion Graphics with Adobe Creative Suite 5 Studio Techniques
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Please don’t be offended (its late and I am tired).
Template is fine.
Just open it in Photosohop
You can toggle its visiblity with the eyeballIt has detailed instructions. The percentage you see is Viewing percentage.. what it scales to fit on computer screeen. Has nothing to do with print.
1. Open file.
2. Don’t change size or number in open dialog or with Image Size menu
3. Design using instructions in template
4. Place guide layer on top of drag up and down as needed.
5. Turn off their guide layer when ready to saveRichard M. Harrington, PMP
Author: From Still to Motion, Video Made on a Mac, Photoshop for Video, Understanding Adobe Photoshop, Final Cut Studio On the Spot and Motion Graphics with Adobe Creative Suite 5 Studio Techniques
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Bridge actually is fine… but you do need to go into the Output Module and set your resolution there. Make sure to pick the right Paper size and set the resolution you want.
Richard M. Harrington, PMP
Author: From Still to Motion, Video Made on a Mac, Photoshop for Video, Understanding Adobe Photoshop, Final Cut Studio On the Spot and Motion Graphics with Adobe Creative Suite 5 Studio Techniques