Forum Replies Created

Page 187 of 223
  • Richard Harrington

    July 11, 2006 at 5:21 pm in reply to: Training Tools

    We launched a new series called Absolute Training for Final Cut Studio… getting good reviews.

    I also have a book out…

    Full info and samples at http://www.PhotoshopforVideo.com

  • Richard Harrington

    July 11, 2006 at 5:06 pm in reply to: Audio Sync Problems

    Make sure you are not watching an External monitor (like the deck or camera) while having speakers plugged in.

    Make sure you weren’t getting dropped frames on capture.

    I use that camera all the time with no issues… so it should be an easy fix

  • Richard Harrington

    July 10, 2006 at 4:18 pm in reply to: HD import veeeerrrrryyyy ssllloooowwww

    Your machine does not match the recommended specs for HD

    At least try adding more RAM…. also drive speed may be an issue here

    But yes… you are trying to jump a bus riding a mini scooter

  • Richard Harrington

    July 10, 2006 at 2:36 pm in reply to: Decision FCP or FCE?

    HDV is VERY processor intensive….

    That and a second monitor into an iMac is not a solution except on the newest mchines…

    By the time you pimp out an imac with high end graphics… add teh second mnitor…

    I’d choose a tower

  • Richard Harrington

    July 10, 2006 at 2:33 pm in reply to: FCP and FCE Differences

    FCE comes with LiveType and Soundtrack

    Final Cu is ONLY available as past of FC Studio (Motion, Compressor, DVD SP, ST Pro)

    There are full details on Apple’s site

    https://images.apple.com/finalcutexpress/pdf/FinalCutExpressHD_PO.pdf

  • Strange to post that question here…

    F is Match Frame to lad a clip from timeline to the viewer
    Shift F will reveal the clip in your bin from what is loaded in viewer (provided its in your project.)

  • Richard Harrington

    July 9, 2006 at 3:04 pm in reply to: Importing Jpegs – Why HD?

    They are not formatted for HD.. they are coming in at teh size you set them…

    if you put them in an HD seqience.. FCP may be adjusting the distort setting to match your sequence Pixel Aspect Ratio.

    Sugggest a visit to PhotoshopforVideo.com to download some QuickTime moveis and handuts.. as well as a throurough read of any of my PS Video books when you get the time

    Richard M. Harrington, PMP

    Author: Photoshop CS for Nonlinear Editors, Understanding Adobe Photoshop, and ATS:iWork

  • Richard Harrington

    July 9, 2006 at 3:03 pm in reply to: Canon XL2 and FCP

    16:9 material on the XL2 is still 720X480….

    The 16:9 process is handled by on-screen simulation or the hardware player.

    If compressing to MPEG 2 for DVD… choose Widescreen preset so widescreen flag is applies and player shows correctly.

    If going to the web.. you need to change your output size

    720 X 1.2 (the widescreen Pixel Aspect Ratio is 860_

    So

    860 X 480
    430 X 240

    etc

    This is covered in article on my sites…

    Richard M. Harrington, PMP

    Author: Photoshop CS for Nonlinear Editors, Understanding Adobe Photoshop, and ATS:iWork

  • Richard Harrington

    July 9, 2006 at 3:00 pm in reply to: import timeline options?

    If you don’t need all of the tracks and editability… I would go with just AIFF files per track… if not then OMFI may work best

    Richard M. Harrington, PMP

    Author: Photoshop CS for Nonlinear Editors, Understanding Adobe Photoshop, and ATS:iWork

  • Richard Harrington

    July 9, 2006 at 2:59 pm in reply to: HD capture, DVcam output

    You can always make a new sequence that has the DVCAM settings….

    Then paste your sequence content in and re-render

    Richard M. Harrington, PMP

    Author: Photoshop CS for Nonlinear Editors, Understanding Adobe Photoshop, and ATS:iWork

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