Forum Replies Created

Page 7 of 19
  • Ray Palmer

    October 8, 2007 at 4:19 pm in reply to: Behringer mixer a good buy?

    [aprildentist] “Am I missing any red flags in that scenario?”

    (In the biggest Font that I can use, Bold with Undlerline)
    Have someone monitor the audio at all times!!!!” TARGET=_blank>Have someone monitor the audio at all times!!!!
    It will be tough. The room will be noisy but NEVER leave a recording camera without someone you trust and can fire later, on head sets.
    The most often asked question is “how do I repair distorted audio?”. It might start out great but during the event, someone is going to move a fader or adjust an aux send to you and if you or your partner is not on headphones, it will burn your recording.
    It is strange but during the shoot, everyone is worried about video but after the shoot, everyone is focused on the audio.

  • Ray Palmer

    October 3, 2007 at 7:17 pm in reply to: when to normalise audio

    For Voice over work in the booth, I normalise after I do a rough edit to remove any coughs, laughs or anything that is higher in level than the reading voice.

  • Ray Palmer

    October 2, 2007 at 2:37 pm in reply to: Varicam workflow questions

    If you looking for a deck to playback Varicam tapes only, consider the now out dated Panasonic AJ-HD130DC deck. You should be able to get one fairly cheap.
    It will do Varicam tapes all day long but it will not playback any tapes shot on the new Panasonic HDX900 cameras. It also will NOT do firewire I/O.

    Ray Palmer, Engineer
    Salt River Project
    Phoenix, AZ
    602-236-8224 office
    There are three types of people in this world, those that can count and those that can’t.

  • Ray Palmer

    September 23, 2007 at 6:14 am in reply to: GPS option and the HDX900. Work flow question.

    Wynn,
    We have used a different GPS unit with Standard Definition.
    Example. We do a lot of aerial video from a helicopter of the desert around Phoenix, Arizona. The GPS tells us
    -where we were when we shot the video.
    -when we shot the video. Date and military time.
    -our heading and elevation and sometimes speed.
    We can then take the GPS signal and match it with a map program using a laptop such as Street Atlas, and we get a graphic of where we shot the video.
    This all comes in handy with Legal issues.

    The HDX and SDX900 puts the GPS information in the meta data. I just need to know how to extract the information.

    I expect a reply from Panasonic next week. I have been told that they are researching a work flow white paper.

  • Ray Palmer

    September 19, 2007 at 3:06 pm in reply to: Elvis – Viva Las Vegas Special on Tonight

    John,
    Thanks for the heads up regarding the Elvis special.
    I wasn’t able to see all of it but what I did see looked great. I thought that the gaffer used on the interviews did a great job. The lighting had lots of depth and really added to the look.

    Twenty days in Vegas! I have a hard time staying for 4 days during NAB.

  • Ray Palmer

    September 18, 2007 at 8:26 pm in reply to: Best Mic for Big Boomy Room

    I agree, the Countryman or DPA head worn mics.
    Some head worn mics attach to one ear and some to both ears.
    They can be flesh colored and they sound great.

    https://www.dpamicrophones.com

    check out 4088-F mics at DPA.

    Ray Palmer, Engineer
    Salt River Project
    Phoenix, AZ
    602-236-8224 office
    There are three types of people in this world, those that can count and those that can’t.

  • It is always good to re-enforce the basics.

    Ty,
    If you are going to cut and paste this post, you transposed two letters in the last paragraph. “itp” instead of tip.

    Respectfully,
    Ray Palmer

  • Ray Palmer

    September 15, 2007 at 1:04 am in reply to: Matching audio from two shoots

    This is a short spot. Can you have them do all of the audio again? Record the VO and then have them ADR the studio shot using the same mic and booth. Job done.

    Keep it tight and record in a quiet environment, not the studio. You can add presence but it is really tough to remove it.

  • Ray Palmer

    September 1, 2007 at 1:19 am in reply to: HDX900 SD out?

    Use the video out not the monitor output. The video out can be switched to HD-SDI, SD-SDI or CVBS, which is composite. The switch is a hard switch on the left side of the camera,

    Ray Palmer, Engineer
    Salt River Project
    Phoenix, AZ
    602-236-8224 office
    There are three types of people in this world, those that can count and those that can’t.

  • Ray Palmer

    August 29, 2007 at 1:54 pm in reply to: 900 Tapes Playback on 1200

    In case anyone offers this as a solution.

    Panasonic also made a DVCPro100 HD deck, the 130DC. It will play back Varicam tapes, 18 microns, but not anything recorded on the 1200A, 1400 decks or from the 900 camera, which are all 9 microns.

    Ray Palmer, Engineer
    Salt River Project
    Phoenix, AZ
    602-236-8224 office
    There are three types of people in this world, those that can count and those that can’t.

Page 7 of 19

We use anonymous cookies to give you the best experience we can.
Our Privacy policy | GDPR Policy