[Ray Palmer]

Drop me a post here and let me know how it worked.
All the best,
Ray

Ray Palmer, Engineer
Salt River Project
Phoenix, AZ
602-236-8224 office
There are three types of people in this world, those that can count and those that can’t.

[Ray Palmer]

Can you find another 7-10 year old girl and have her repeat the line in your controlled environment? In other words, loop it? Then add echo or delay to fit your taste.
I really doubt that anyone would notice and they would think that you are a magic.

I had to do this and I used my 10 year old son to do the loop. No one noticed!

Ray Palmer, Engineer
Salt River Project
Phoenix, AZ
602-236-8224 office
There are three types of people in this world, those that can count and those that can’t.

[Ray Palmer]

Want to be the smartest guy at the next Barbeque?
The term to understand with Sony F900 is PsF, Progressive Segmented Frames.
I found this on wikipedia.

Progressive segmented Frame (PsF) is a High Definition video format used to store progressive content on interlaced media.

Each progressive frame is segmented into two interlaced segments fields without interfield motion, or “combing”.

Progressive segmented Frame is similar to interlaced video but lacking motion between the fields. Each “true” progressive frame is separated into “segments”, with the odd lines in one segment and the even lines in the other segment. This allows for a progressive picture to be processed through the same common electronic circuitry that is used to store, process and route interlaced video. The primary difference between PsF and interlaced video is motion. In PsF there is no motion between the two segments that make up the “progressive” frame while in interlaced there is typically motion between the “fields”.

PsF is not an alternative to Telecine 2:3 pulldown. Telecine 2:3 pulldown is a method of converting 23.976PsF to 59.94i for broadcast in NTSC.

Sony’s CineAlta series of cameras are capable of recording directly to 23.976PsF, 24PsF and 25PsF on HDCAM tape along with the interlaced versions of those signals.

Retrieved from “https://en.wikipedia.org/wiki/Progressive_segmented_Frame”

Ray Palmer, Engineer
Salt River Project
Phoenix, AZ
602-236-8224 office
There are three types of people in this world, those that can count and those that can’t.

[Ray Palmer]

[Al_egoboo] ” Card and then going into an LCD TV via component video. But I am only getting a black and white signal.”

I am not familiar with your I/O or monitor but I have seen this a dozen times. If you are sending analog component output and your monitor is set for composite, you will get B&W. The green channel is the luminence channel and it only has black and white information.
Check to make sure that your monitor is also set to component, not composite.

Ray Palmer, Engineer
Salt River Project
Phoenix, AZ
602-236-8224 office
There are three types of people in this world, those that can count and those that can’t.

[Ray Palmer]

Thanks for the lead, Noah.
I will make some calls.

Ray

Ray Palmer, Engineer
Salt River Project
Phoenix, AZ
602-236-8224 office
There are three types of people in this world, those that can count and those that can’t.

[Ray Palmer]

[Ty Ford] “::reaches jauntily for a sasparilla and a smoke::”

“Who was that masked man? He’s my hero!”

Just don’t go into town, stranger. I hear they are gunning for ya.

Ray Palmer, Engineer
Salt River Project
Phoenix, AZ
602-236-8224 office
There are three types of people in this world, those that can count and those that can’t.

[Ray Palmer]

[tmvc] “s progressive better for slo mo than interlaced..”

Oh my yes, progressive is better than interlace for slow motion. Interlace will have a vertical hop as the slow motion shows one field then the other. Progressive doesn’t have that problem and it is beautiful.

Ray Palmer, Engineer
Salt River Project
Phoenix, AZ
602-236-8224 office
There are three types of people in this world, those that can count and those that can’t.

[Ray Palmer]

We own both the Varicam and HDX900 and we have not seen any difference.
We have one of the very first Varicams and the HDX900 looks as good if not better.

Question-
If you are shooting at 60fps, are you producing a 24 or 30fps program?

Ray Palmer, Engineer
Salt River Project
Phoenix, AZ
602-236-8224 office
There are three types of people in this world, those that can count and those that can’t.

[Ray Palmer]

This screams for a stereo record and miking.

Ray Palmer, Engineer
Salt River Project
Phoenix, AZ
602-236-8224 office
There are three types of people in this world, those that can count and those that can’t.

[Ray Palmer]

[Steve Wargo] “An associate of mine walked into my office practically in tears last week and said that one of his P2 cards won’t show up in his reader or his computer slot”

What a bummer!
Who did this happen to and which camera was he using?
If you don’t want to post his name, maybe just his initials.

Ray Palmer, Engineer
Salt River Project
Phoenix, AZ
602-236-8224 office
There are three types of people in this world, those that can count and those that can’t.