Forum Replies Created

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  • [Brian Reis] “The basic structure of my current enterprise involves shooting from a HDV cam straight into iMovie, so that I do not have to deal with tape log and capture, and do not currently have the budget for a Canon 5D or a similar camera. “
    When capturing with iMovie, the footage is converted to the Apple Intermediate Codec, which is the iMovie native codec for HD.
    That’s a crap of codec that will add A LOT of compression to your already very compressed footage.
    Is also a very slow to process codec.

    If you need to capture directly to your computer, don’t do it with iMovie.
    You can use the QT Player’s “video recorder”.
    You can capture the original HDV stream through FW and avoid the AIC recompression.
    You also keep the audio 48Khz (no 32Khz as in iMovie), and get TC on the clips (no in iMovie).
    rafael

  • Rafael Amador

    August 31, 2013 at 12:59 pm in reply to: Poster frame resets after uploading online

    Try to set it with QT Player.
    rafael

  • Rafael Amador

    August 31, 2013 at 12:52 pm in reply to: A real hard nut to crack!

    Have you tried the “Matt Lyon’s Fix”?
    https://library.creativecow.net/articles/lyon_matt/
    rafael

  • AJA VTR Exchange is basically used to lie FC’s sequence TC when printing to tape.
    Without the application and a RS-422, there is not way of getting other than the default (1:00:00:00) TC from FC. FC can’t embed other TC on the video stream. The TC is embed on the AJA card.

    AJA VTR Exchange gives desk control when capturing. but in this case FC doesn’t needs the TC provided by the RS-422 interface. FC takes the source TC embed in the video stream (HD/SD-SDI).
    I would try a “Capture Now” , with the “create a new clip on tc break” checked.
    rafael

  • Rafael Amador

    August 30, 2013 at 2:55 pm in reply to: Converting .DIF (DV-DIT) video files

    Try changing the extension by “.dv”.
    rafael

  • Rafael Amador

    August 30, 2013 at 7:52 am in reply to: FCP X Keyer Effect Setting matched in FCP 7

    Try Motion.
    Has much better keying options.
    rafael

  • Rafael Amador

    August 28, 2013 at 1:14 am in reply to: How to export for projector

    That’s if you are using an old NTSC projector.
    23,98 fps is a a broadcast video standard.
    But is to you to decide which frame rate you want to use.
    There is a noticeable visual difference from 60fps to 23,98fps.
    The picture at 60fps will be much smoother than at 23,98fps.
    Picture at 23,98fps is film like; much more choppy.
    rafael

  • Rafael Amador

    August 27, 2013 at 2:40 pm in reply to: How to export for projector

    [Julie Lewis] “Does everything else remain the same in Frame Controls? Do in need to de-interlace? I don’t thing so because my project is DVCPRO HD 720p60.”
    Right.
    Your stuff is already Progressive.

    [Julie Lewis] ” Rate conversion?”
    Your footage is p60, but you said that your FC sequence was 23,98fps, so FC should have done the p60>p23,98 time base conversion.
    rafael

  • Rafael Amador

    August 27, 2013 at 11:25 am in reply to: How to export for projector

    [Julie Lewis] “H.264
    Data Rate > 15,000
    1280 x 720 — I made the size larger. Should I have done this?
    Pixel Aspect 1.000 Default for Size “

    That’s OK.
    Make sure that you set “Key-frames: AUTO”.
    In Compressor you must set the “Frame Control ON”. and “Resize: Best”.
    rafael

  • Rafael Amador

    August 25, 2013 at 2:45 am in reply to: FCP crashed, autosave won’t open in a weird way

    So the problem is in the system.
    Repair permissions, and if doesn’t works, try DiskWarrior.
    rafael

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