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Milton Ginsberg
June 24, 2013 at 2:39 pm in reply to: AUDIO WON’T SHOW UP ON FCP7 (mntn lion)

Thanks everyone, problem solved. I took the audio into compressor and made
a quicktime audio file out of it and laid it in timeline. But thanks for all your interest. COW far and away the best place for editing help.
Milton Ginsberg
June 23, 2013 at 2:38 pm in reply to: AUDIO WON’T SHOW UP ON FCP7 (mntn lion)

Thank you for trying to help, guys…
This is what MPEGStream shows me the characteristics are
which I want
and which I can’t import into fcp7

Video Tracks:
Apple ProRes 422, 1280 × 720, 29.97 fps, 61.45 Mbps

Audio Tracks:
16-bit Big Endian stereo, 48 kHz, 1.54 Mbps

(no problem fcpx, but if i make an .mov in fcpx and import into fcp7
still won’t read audio???)
Milton Ginsberg
June 22, 2013 at 8:05 pm in reply to: AUDIO WON’T SHOW UP ON FCP7 (mntn lion)

sorry, SNOW LEOPARD !
afraid to move on because of fcp7
Milton Ginsberg
June 19, 2013 at 2:25 pm in reply to: Integrating DVD clips into Documentary

Thanks Shane, I’ll give it a try.
What frame rate do you recommend, 23.98 or 29.
from FCP7 timeline on down?
Milton Ginsberg
June 18, 2013 at 8:13 pm in reply to: Integrating DVD clips into Documentary

Streamclip converts some of these files, but not all.
Milton Ginsberg
December 4, 2012 at 4:26 pm in reply to: Creating an Edit Reel

I’ve become intrigued with fcpX
seems it will take material in any form
quick from MPEG or MP4 from Handbrake.
Now all I have to do is spend a day or two with fcpX tutorials.
Milton Ginsberg
December 3, 2012 at 9:07 pm in reply to: Creating an Edit Reel

Thanks Kylee. May actually try fcpX with this one. Have to try it some time
and it seems to pull in material in different forms more readily….
something like DVD > HANDBRAKE > MPEG > FCPX in prores
then I’ll check out what form for Vimeo
Sound too complicated?
Milton Ginsberg
February 24, 2012 at 5:17 pm in reply to: How set to start FCP7 from an External Drive on iMac

Want to try other editing software for new projects… Adobe, Avid, even FCPX, among other reasons.
Milton Ginsberg
September 21, 2011 at 8:25 pm in reply to: Belaboring The Obvious, Film To Digital

Jerry, thank youi.
No shot reels, no neg. 35mm print only one in existence.
The main zooming is rescanning each shot in fcp7 to 16:9 from 3:4
Only looking for dvd and streaming reissue.
Altho some people would like to project it digitally in a theatre.
AND LOOKING TO KEEP MY COSTS DOWN to around 2g.
Further thoughts???
M
Milton Ginsberg
January 22, 2011 at 8:58 pm in reply to: Best way to convert digi-beta to FCP

Thanks David Weiss and all.
The film was cut on a movieola — a 35mm projector for editing rooms with a 5 ” screen . The rattle of the movieola was so loud it was like editing under machine gun fire.
The digibeta was made from a print off the original negative. I’ll bring it into ProRes 422 and go from there.
(Which I want to do because I love the film, Coming Apart ~ Rip Torn and Sally Kirkland’s performances in it and my own quite original concept.)
Thanks for the help!

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