Michael Sanders
Forum Replies Created
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I hadn’t thought of that – but I just tried it and it didn’t work. I think its me but I’ll email the guys.
Cheers for the heads up though.
Michael
Michael Sanders
London Based DP/Editor -
Michael Sanders
November 25, 2013 at 10:31 pm in reply to: Audio narration recorded with level too high; how to reduce voice distortion?iZotope RX3 MAY help you out – it can cleverly redraw the waveform to get rid of the distortion but it really depends how hot you recorded it.
If iZotope can’t do it then you’re probably out of options.
Michael
Michael Sanders
London Based DP/Editor -
I had something similar with a white graphic some years ago.
Looked fine on the computer screen but when stuck to DVD the supplied graphic was in a grey box. Bit of playing with gamma and levels sorted that.
Michael Sanders
London Based DP/Editor -
Pretty sure I read somewhere they would have to wait till the official release date.
Michael Sanders
London Based DP/Editor -
As I said there a lot of picks ups and bit’s out of sequence. For instance: we had four actors and in one act one actor was playing three parts with costume changes so we shot all his appearances as character A first, then all of B and all of C but in the play it goes something like A B C B C A.
For a number of reasons there wasn’t either a script supervisor or a logger, so my biggest concern about just doing three multi clips is that it would make it harder to navigate the material.
Michael Sanders
London Based DP/Editor -
Are you on Mavericks?
I had something similar the other day:
I had a sequence on the timeline which played fine on the timeline but when I exported it one clip was black – the weirdest thing was the graphic over that clip was fine. To get it back I eventually made it re render by fiddling with the colour and the reseting it.
Michael Sanders
London Based DP/Editor -
I quite like the tabs in finder.. And Safari seems faster..
Michael Sanders
London Based DP/Editor -
Hi Bret
I actually managed to get it to work by going to mission contro/spaces (you know by swiping down) and dragging the window to the second screen.
Of course it then stays there if you change spaces on the main screen.
For editing I think I’ll leave it off as its better to move between spaces and have say FCP X make way for Motion on both screen – at least thats I how roll.
Michael Sanders
London Based DP/Editor -
On the Apple FCP X page it says:
“The New Mac Pro is coming in Decemeber, And so is a new version of Final Cut Pro X”
Michael Sanders
London Based DP/Editor -
If I ever switch to CC that’s good to know – but I prefer editing in FCPX and it’s not enough to make me leave. Especially when you can fool the system in FCP x. It’s just would be nicer if they could automate it.
Michael Sanders
London Based DP/Editor