Forum Replies Created

Page 324 of 391
  • Michael Sacci

    May 1, 2008 at 10:35 pm in reply to: eDVD 4 or other software for data on DVD-R

    I think most people just handle it by creating a static page with info and weblinks just listed on it.

  • Michael Sacci

    May 1, 2008 at 10:27 pm in reply to: going rate for a full time dvd authorer

    I would venture a guess that when you move out of NY and LA most DVD authors (authorers?) are going to handle it all. The one except might be menu design. But then again most of these are probably not turning quite the same quality.

  • Michael Sacci

    May 1, 2008 at 9:55 pm in reply to: 24P and 24PN

    To FCP with 720P (there is no 24pA) the sequence would most likely be the same, 23.98, the difference is on ingest. If you shoot 24P you strip out the duplicate frames leaving what is the same as that would have been recorded 24PN. The one major difference is the frame TC. WIth 24PN you will get , 00,01,02,03… and so on. With 24P after you ingest and remove the dupiicate framers you will see 01,02,04,07 and so on (note actual numbers as not meant to be the actual numbers)

    The difference would be if you wanted to shoot 24P but edit that in a 60P timeline, the footage shoot in 24P and then ingested WITHOUT removing the duplicate frames would drop right in.

    An other way to putting it is that the 24P records the same frames as 24PN but it imbeds it into a 60P stream.

  • Michael Sacci

    May 1, 2008 at 5:36 pm in reply to: Project too large to open!?!?1

    I had a friend asl me about this same problem opening up a huge project file (don’t know that exact size) w/ over 30 sequences in it. The problem was solved by him copying the project file to his system drive and it opened fine. The file was on his media drives before.

  • Call me crazy, but I would try to rent a JVC camera and just give them the tape, even ask then to pay the extra or at least part of it. Everyone’s life would be so much better. Not to mention the footage will look similar.

  • Michael Sacci

    April 30, 2008 at 2:53 am in reply to: 24P and 24PN

    [Sam Waldorf] “so is this a different setting than say, 720p at 24p? “
    what are you referring to as “this”

    don’t know what you are asking.

  • Michael Sacci

    April 30, 2008 at 1:46 am in reply to: 24P and 24PN

    24PN can only be recorded to the P2 card. The native will only record 24 frames and this is why you get 20 minutes of 720P@24PN on an 8GB card vs the normal 8 minutes. In all the other settings there are always 60 frames per second being recorded. (59.94) so if you have the camera set to 30P it records 2 copies of every frame, 24 records 2 or 3 copies of each frame to balance out the 24 individual frames in the 60 frames per second. On ingest these duplicate frames are removed and you are left with basically the 24PN stream.

    So when ever you are shoot on p2 it makes sense to use PN mode, when you are recording to a firestore or computer you cannot use PN because it will not pass through firewire.

  • Michael Sacci

    April 30, 2008 at 1:39 am in reply to: HVX-200 Recording to Premiere CS3

    720PN will never work, firewire does not support PN.

    I don’t have Premiere but one thing I would ask is, does PP CS3 come with the DVCProHD codecs? When you do to tape record mode you are going to standard DV so that would explain why it would work where as 720p is DVCProHD, I know on the Mac you have to have FCP installed to get the codec.

  • Michael Sacci

    April 29, 2008 at 9:21 pm in reply to: 6 gig on dvd?

    dual burners have been standard on just about every Mac for several years now.

  • Michael Sacci

    April 29, 2008 at 3:26 am in reply to: OT Sony DSR-11

    [Scott Davis] “ocrrected”

    Ouch, I bet that hurts! 🙂

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