Michael Phillips
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COW Coin
Forum Replies Created
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You can just copy it over on a USB drive, you can open it from a networked disk, etc.
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Are you saying that the analog outputs have signal, but the DV connection does not?
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1) Control over external audio is done via an external mixer.
2) Turn off the deck icon and the TC track at the top of the capture window. This allows capture on the fly. You may still need a tape name, click the TAPE field and enter a name. The system will use the computer time (time of day) as the timecode.Michael
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I was referring to Adrenaline systems… in Xpress Pro, you need a Mojo to get 1:1 but only in interlace projects, not progressive…
Michael
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Are you saying that a TIFF sequence of files show up as interlace? ALL of your footage is progrssive? And you are sure you are in a 25p project?
Michael
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Your clips need to be logged with camera roll and KeyKode, this would be done for you already if you imported an ALE file or FLEx file from the transfer.
Then you use FilmScribe to generate all the lists you need for negative cutting, FX, etc. See the FilmScribe HTML output version for an example of these lists from a film I just completed:
https://www.24p.com/cutlists/Assemble.htm
Michael
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At this point, it would need to be eye-matched, the optical list would generate the pull list for the scanner, the FX house would recreate the FX shot digitally using the same plug-in or similar.
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You create negative cutlists (optical cultists) and they get created either in the lab or scanned to digitally scanned for digital creation.
Michael
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Two widescreens. 😉