Forum Replies Created

Page 393 of 428
  • Michael Phillips

    June 17, 2006 at 11:14 am in reply to: Make timeline clips have bin name?

    Highlight all your subsequences that have been renamed to scene/take and select “AutoSync” from the BIN menu. This will turn them into real subclips (icon and all).

    Michael

    anything 24fps

  • Michael Phillips

    June 11, 2006 at 10:29 pm in reply to: Telecine 16mm or 35mm

    Digital Filmmaking by Tom Ohanian and myself is a good resource (of course). It may be a bit dated for some of the chapters, but the ones dealing with film gauges and transfer are all still valid. Also check out my website at http://www.24p.com for specific whitepapers on a variety of subjects.

    Michael

    anything 24fps

  • Michael Phillips

    June 11, 2006 at 11:47 am in reply to: Exporting to a monitor with 24p.

    As I said in my mail, that feature came in 5.0 which means you have that feature if you are using 5.2. Make sure you are in green/green mode first.

    Michael

    anything 24fps

  • Michael Phillips

    June 11, 2006 at 1:06 am in reply to: Exporting to a monitor with 24p.

    Output back out over FireWire without an Avid Mojo was part of the 5.0 release. Previous versions of Xpress Pro need Mojo regardless of Mac or PC. Mac gets this feature with the release in a few weeks.

    Michael

    anything 24fps

  • Michael Phillips

    June 9, 2006 at 10:40 pm in reply to: Telecine 16mm or 35mm

    Are you referring to a 720p.59.94 format? There is no 59.98. The frame rates are all .1% multipliers of 24, 30 and 60 which will give you

    23.976
    29.97
    59.94

    For the true math folks – it is for 30fps 30*(1000/1001)

    If going to 59.94p there is still a 2:3 cadence in the pulldown but it is based on frames and not fields as in the NTSC 59.94 fields per second format.

    Michael

    anything 24fps

  • Michael Phillips

    June 6, 2006 at 2:35 pm in reply to: modifying EDL

    Create an EDL of the sequence.
    Batch capture your 2 hour tape.
    Highlight master clip.
    Import ALE with option to merge based on knows source tape.
    This will create subclips based on the original events.

    Now the EDL needs to be converted into an ALE beforehand. There is a CMX EDL import option as one of its sources. The record side becomes the START and the source timecode becomes SOUND TC (but you can copy past that into an AUXTC column as needed).

    In theory this should work. The CMX to ALE was implemented in 1992 as a means to create log files from transfers done with an audio layback as a separate process. I suspect this still works.

    Michael

    anything 24fps

  • Michael Phillips

    June 4, 2006 at 5:31 pm in reply to: Media Composer Software with Mojo

    With both.

    Michael

    anything 24fps

  • Michael Phillips

    May 17, 2006 at 11:43 pm in reply to: MXF and P2

    https://www.dvxuser.com/V6/showthread.php?t=57544

    You need Avid Xpress Pro 5.2 or later on PC for now. Mac support is for end of June.

    anything 24fps

  • Exact same cut list function using FilmScribe. Many films have used Avid Xpress Pro such as Hustle & Flow, Incident at Loch Ness, etc.

    Xpress Pro does not have LTC output like Adrenaline or Meridien based sytems…

    Michael

    anything 24fps

  • Michael Phillips

    May 15, 2006 at 10:23 am in reply to: how to import audio on avid xpress dv?

    Can you get a WAV version of the file and try that?

    anything 24fps

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