Michael Phillips
1
COW Coin
Forum Replies Created
-
If you edited in a NTSC 24 offline, you can make both a 24 and 3o fps EDL. You can even create a field based EDL to show where the cadence falls for the 2:3 pulldown.
Michael
Michael Phillips
-
Are they from the same version installer as the Media Composer?
Michael
Michael Phillips
-
If you export out as WAV, the compositions will import just fine.
Michael
Michael Phillips
-
You will switch the project format tab (in project window) to PAL 25i. Once that is done, you can choose the resolution you want to transcode to – be it uncompressed 1:1, 2:1, etc based on your needs and preferences for compression or not.
Michael
Michael Phillips
-
What frame rate are you starting at? 1080p/25?
Michael
Michael Phillips
-
I am somewhat stumped. You made a group clip, loaded it as source, edited the entire clip as a sequence then entered multicamera mode… from there you have an active V track on the record side and you are editing on the fly and no add edits are being recorded?
Michael
Michael Phillips
-
Is your sequence the active monitor when you do this?
Michael
Michael Phillips
-
Are there two versions of this clip somewhere?
Michael Phillips
-
Most people will just hit play to create 29.97 since the output has a 2:3 pulldown applied. This creates a continuous 2:3 pulldown from beginning to end. Also allows you to protect for other potential develiverables such as a progressive DVD and theatrical.
The workflow is to recapture at the highest 23.976 resolution based on your format (SD or HD).
Michael
Michael Phillips
-
Save out from AE as SD in DV – resize, crop, or scale in AE – letterbox or keep it anamorphic as desired.
Michael
Michael Phillips