Forum Replies Created

Page 333 of 428
  • Michael Phillips

    August 26, 2010 at 12:55 am in reply to: Multicam Question

    Create a third clip by logging it so that the timecode spans all your other clips. use that as part of your group clip. Arrange clips accordingly once in multicam view. Pretty sure that should do it for you.

    Michael

    Michael Phillips

  • Michael Phillips

    August 24, 2010 at 11:14 am in reply to: Problems with Avid part 1 =)

    Do a Google search on MPEG Streamclip and you will find it. Its made by squared5.

    Michael

    Michael Phillips

  • Michael Phillips

    August 24, 2010 at 11:12 am in reply to: Avid EDL Doesn’t Keep Clip Names

    Duplicate Name column into Labroll. Add labroll as comment into EDL (new with v5). his was done to create FCP compatible EDL’s for Color but FCP should like them as well.

    Michael Phillips

  • Michael Phillips

    August 24, 2010 at 3:01 am in reply to: Multi-Cam with multiple sync points

    If you align all the clips on V tracks in the timeline in sync as you mentioned, then you are almost there. Go to the head of each clip and enter the record side timecode for that frame in the AucTC1 for each of those clips. Once done for all clips, select all, and group/multigroup and you’re good to go.

    Michael

    Michael Phillips

  • Michael Phillips

    August 19, 2010 at 1:19 am in reply to: Red-MC3.5 work flow

    I don’t know why you wouldn’t go MXF directly if you have the chance as it will cut down the overall transcode/import process by half as well as not double the number of hard drives.

    That being said, Avid QT wrapped DNxHD was the first method by which RED and Avid worked so it is a known method – be sure to import the ALE first, then batch import the QT files into it fort all the metadata preservation goodness.

    Michael

    Michael Phillips

  • Michael Phillips

    August 19, 2010 at 1:17 am in reply to: Multi-Cam with multiple sync points

    Can you use the timecode calculator to create a common timecode for each of your sync points and enter it into AuxTC1 then use that for the grouping?

    Michael

    Michael Phillips

  • Michael Phillips

    August 19, 2010 at 1:15 am in reply to: Problems with Avid part 1 =)

    Have you tried an application like MPEG Streamclip to transcode to a QT wrapped Avid DNxHD codec and then bring it in?

    Michael

    Michael Phillips

  • Michael Phillips

    August 11, 2010 at 9:01 pm in reply to: RED in MC5 im confused

    So you just want to transcode to your final resolution? That would speed up the process if you don’t have a lot of footage. Select 1/2 debayer premium and either DNxHD 115 or 175 and transcode away.

    Michael

    Michael Phillips

  • 16mm is natively a 4:3 aspect ratio format unless you protected and composed for 16:9 when shooting then chose to transfer that way. You can do a pan and scan 16:9 extraction from the 4:3 and that will crop off top and/or bottom or whatever between the two.

    Michael

    Michael Phillips

  • Michael Phillips

    August 1, 2010 at 9:18 pm in reply to: XDCam HD 30P 60P

    I thought it came in v4, but certainly in v5 there is a 1080p/29.97 project type.

    Michael

    Michael Phillips

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