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Red-MC3.5 work flow
Hi there
Looking for some feedback/problems/suggestions on our suggested workflow.
We are about to shoot a feature film on RED camera. The shoot will mainly take place in the day and the onset Data Wrangtler will transcode the rushes on set to Quick Times, and will apply TC and File name burn ins and will provide an ALE.
The cutting room will then receive the rushes in the evening and import the QT’s into the avid (possibly Media Composer 3.5) over night. The picture rushes will then be sync to the digital audio files in the morning. Later on down the line, there is a possibility that there will be screenings so a conform will happen at some stage.
I wanted to check to see if anyone else had imported QT’s direct instead of converting to .mfx files, and if they had encountered any problems. I am presuming that if we go down this line the meta data wont be there and that the ALE file will be useless. Ideally I would like the Data Wrangler to provide .mfx files and were told this wouldn’t be possible, and our Producer has said that importing QT’s straight into th Avid has worked perfectly well on his last few films.Any feed back would be greatly received
thanks
ZOE