Forum Replies Created

Page 47 of 51
  • thanks again.

    Wayne

    2DP G5, 3.5GB RAM, FCP HD

  • I already have – thanks – but I had already backed thhe project up to Flash and onto another FW before the problem occured – but the strange thing was that NONE of the files would open – NOT EVEN my many autosave files (I auto-save every 8 minutes) – weird.

    W.

    2DP G5, 3.5GB RAM, FCP HD

  • Max Frank

    August 2, 2005 at 5:52 pm in reply to: Color Correction Shortcut

    Andy,

    You really helped me there – thanks.

    Wayne

    2DP G5, 3.5GB RAM, FCP HD

  • Ok, I trashed the prefs, freed up a lot of HD space and, thank G-d, I’ve got my project back.
    Thanks for all the help.

    Wayne

    2DP G5, 3.5GB RAM, FCP HD

  • will do – thanks

    2DP G5, 3.5GB RAM, FCP HD

  • Max Frank

    August 1, 2005 at 2:01 pm in reply to: DVmatte 1.5 compatability w FCP 5

    Best to post this kind of question to the manufacturers of the product directly.

    But I can tell you this, DVMattePro is an OUTSTANDING product – and if it compatible with FCP5, you’ll get a great key with it.

    Wayne

    2DP G5, 3.5GB RAM, FCP HD

  • Max Frank

    July 31, 2005 at 7:37 pm in reply to: DVD+R material

    Thanks Walter.

    Wayne

    2DP G5, 3.5GB RAM, FCP HD

  • Max Frank

    July 28, 2005 at 11:25 am in reply to: isolating color

    Do a search for Eureka FCP plug-ins – there is a ‘selective color corrector’ there – it’s either free – or real cheap.

    Wayne

    2DP G5, 3.5GB RAM, FCP HD

  • Max Frank

    July 28, 2005 at 8:23 am in reply to: export FCP project for broadcast

    Hi,

    Whilst we’re on the subject – can anyone please explain to me what ‘make movie self-contatined’ actually does.

    Thanks in advance,

    Wayne

    2DP G5, 3.5GB RAM, FCP HD

  • Max Frank

    July 13, 2005 at 12:19 pm in reply to: Better Broadcast Safe filters..??

    Hi,

    PLEASE excuse my ignorance, but I really want to understand this issue.

    I know that it’s always best to color correct your footage using the 3-way color corrector tool & the scopes, etc. but what is the problem with using the FCP or ‘Joes’ broadcast safe filter.

    For instance, I’m working on a feature-length documentary with literally thousands of shots – from countless sources, and and on many of them, I’ve got some wild gradings. It would take me literally weeks to through each shot and bring it into spec.

    Can you explain to my why I SHOULDN’T just drop a broadcast safe filter and render that out & send to a network?

    Thanks in advance for taking the time to explain it to me.

    Yours,

    Wayne
    PS – also – if there IS a great Broadcast safe plug-in that works, please
    let me know what it is.

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