Hi Shane,
Thanks so much for taking the time.
I think you’ve nailed it.
I’ve got a fortune of shoot material that was taking forever to transcode to ProRes – so in the meantime, I was doing the Pluraleyes sync with the H.264 footage.
I knew you couldn’t edit with H.264 but I didn’t think it would kill the system the way it has been doing.
I’ve run a test where I’m now working with only the reconnected ProRes files and now FCP seems a lot more stable.
Thanks again,
Wayne