Matt Galuszewski
Forum Replies Created
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For what it’s worth Premiere Pro dissolves match Final Cut Pro X dissolves when Premiere uses GPU acceleration for the Mercury Engine.
I like the Premiere Pro GPU and FCP X dissolves.
As I said, for what it’s worth.
https://forums.creativecow.net/readpost/378/4401
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Matt. The Alpha check boxes are the same in CC.
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I forgot to mention that I exported from MOTION with Pre-Multiply checked OFF.
There is no alpha interpretation setting in Premiere, none that I have seen anyway. You can only choose to IGNORE or INVERT ALPHA.
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Would you like to export a 1 second piece of your animation from motion and upload it. I can try it in Premiere here and see if the behaviour is the same.
Here’s a view of my composite
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Matt,
I downloaded your Motion project and exported a ProRes 4444 file. Imported this in to Premiere CC (I no longer have CS6 installed) and placed it on a timeline. It behaves exactly as expected here, exactly like the screen grab you posted from your Motion Project.
Although I don’t have CS6 installed anymore I can assure you that alpha channels behaved as expected.
Anything I can test here for you?
Another Matt
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I have never had timecode in a 7D file, I don’t believe it records timecode.
What version of FCP were you using? Is it possible that timecode was being added during a rewrap or transcode operation?
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Maybe you could provide a link to a frame of the video or a short clip of the video so some of us could take a look at it and suggest a fix.
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You can edit from sequence to sequence in FCP7 without nesting by (from my memory here) adding the COMMAND key modifier.
For example (again from memory) F9 was insert and F10 was overwrite. If you had a sequence in your source viewer and you pressed F9 to edit in to a new sequence you would get a nest of the source sequence. If you pressed COMMAND + F9 you would get the clips from the source sequence arranged depending on patching assignments.
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Ok – I don’t have your source clips or project but if I take a 2min30sec, 1080p23.976 ProResHQ clip into a brand new project, edit it on to a 1080p23.976 ProResHQ sequence, insert a color matte of 5 secs duration in to the middle of the clip I do not have any problems. Tried exporting to all variations of ProRes 422.
I admit my edit is a simple one
