Forum Replies Created

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  • Draw a path around your final Letter and use the path (mask) morphing feature to create a different shape. Make sure you draw the overlap youself.

  • Use the nesting in Premiere

    1# sequence: add a cyan circel animation above the original footage track

    2# sequence: Now circel and footage are bound in a nested sequence and scale them together to the corner. Revealing a sheet with text ( I would create that one in Premiere itself)

    Save your project, import it 40 times and replace the footages

  • Mark Doctor

    November 26, 2018 at 5:56 am in reply to: “Expand” Edges

    Mask out the scene as large as possible.

    Duplicate the layer and use the RepeTile effect to expand the lower layer (mirroring might work, slide will work)

    Hit ctrl(cmd)+alt+T to time-remap the lower layer and use a single keyframe for a freeze frame.

    Or choose 2 keyframes and add in the expressionfield:

    loopOut(“pingpong”);

    Or a simpel:
    loopOut();

    Create a more smoother transition with the mask feathering of the upper layer combined with the mask expansion.

  • Very odd indeed? I also would suggest looking at the shutter settings, angle and phase.

    Greets Mark

  • Mark Doctor

    November 8, 2018 at 11:44 pm in reply to: Create a “reflection only” layer

    I still have to figure that one out. The empty space around your object is black, unless you use an environmentlayer. By using a green / blue environmentlayer and a color-key, you can isolate the reflection. But it certainly has its limitations

    I never used the double-cam solution. But creating a null object at the position from the floor, link a duplicate from the object to the null and only changing the y-scale from de null to -100%

    But the Environment layer might be a problem that can be solved bij mirroring the horizon. It all depends on what your wishes are

  • Mark Doctor

    November 1, 2018 at 11:07 pm in reply to: Perfect aligned masks

    Almost sounds like the old AE shatter effect. I suggest you check it out☺.

    Greets Mark

  • Mark Doctor

    October 31, 2018 at 10:32 pm in reply to: How do I recreate this glitch effect?

    Perhaps you can also create an image sequence of 5 unique frames and use the time-displacement to offset the display of each frame?

  • Mark Doctor

    October 28, 2018 at 5:50 pm in reply to: how do i separate X & Y on the scale parameter?

    For the true reason you should now why array’s are used. That’s a lot of computer science and in the end you probably agree the way it is ????


    (Enemy of the state)
    Fiedler: The satellite is 155 miles above the Earth. It can only look straight down.

    Jones: That’s a bit limited, isn’t it?

    Van: Well, maybe you should design a better one.

  • Mark Doctor

    October 28, 2018 at 4:10 pm in reply to: how do i separate X & Y on the scale parameter?

    Ah i see the problem, im not near an AE-workstation currently, but if a direct solution is needed:

    Add 2 sliders from expression control to your layer and pick whip x to one and y to the other. After that you can add both slider value’s to your graph-editor.

    Array’s in AE don’t have separate value’s in the graph editor. That’s the reason for the separated (position) dimensions.

  • Mark Doctor

    October 28, 2018 at 2:37 pm in reply to: how do i separate X & Y on the scale parameter?

    X,Y and Z, it only works on 3D-layers. So make it 3D first.

    Greets Mark

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