Kevin Rease
Forum Replies Created
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Did you covert footage to prores in X? If not, that could be your problem. In the past, I have had issues with multicam projects in Resovle, using native footage h264 codecs.
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Hi Eric, did you try cmd + a to select all? Once in a while you can get a stray frame of video or gap clip pushed down the timeline that you can’t see. By selecting all that way, you can see it outlined in yellow. I hope this helps.
Kevin
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Have you tried giving each camera angle a unique name? it seems as if X is seeing the two clips has being the same camera. So if it you give them a unique name, it may sort out.
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In the top left corner of the multicam angle viewer, you will see 3 icons. The first, which is probably highlighted switches the audio and video when you switch angles. The second switches only the video and the 3rd does only audio…I may have the last two switched, I’m not in front of FCPX at this moment. You will and to select the angle that has the audio you want and pair that to the angle to switch video only. When you change angles, this should keep the audio you want while switching angles.
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Anita, if you have decent audio for all of your angles, you should be able to get a good sync. When setting up your multiclip you will have various options for syncing, one of which will be audio. Just be sure to assign different angles for the cameras in same take.
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Hi there,
I have a Canon T2i/shuttle 2 combination and also the BMCC 2.5k camera. While I’ve never used the two together using the uncompressed settings, I have used it all with the Prores settings. I use FCPX and found this combination quite easy to use together. I found it pretty easy to match colors between the two cameras. I would suggest doing a bit of test shooting to test out your workflow and to see if you can get a pretty close match before you do your actual shoot though. I didn’t, and feel it may have caused my footage to suffer a bit. I used the color board in FCPX to color grade but if you have access to resolve, try learning that and it should help in your color grading.
Also, your computer will need to be somewhat powerful if you intend on working with both the uncompressed and the cinema DNG files natively. If you look at the link below, you will see a live shoot that I did. If you read the description, you’ll see the workflow I used. Hope this helps.
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If your reels are named as you have them listed you don’t have to change anything. I generally use camera angles to sync my media, but that is just how I work. You should be able to leave everything else at defaul and it should all sync nicely.
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If your player will play a flash H.264 just change the .mov to .flv and it will play.
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Monica, if you haven’t solve your problem here is your solution. You can’t drag and drop the files. You need to open log and transfer, then open the drop down menu in the window and use the “add a custom path” item to direct it to the card and to the “PRIVATE” folder. The will load all of the clips into the log and transfer window.
Kevin
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Look at mFlare it’ll do the trick. https://www.motionvfx.com/mplugs-1.html