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  • You also get smart rendering with ProRes and various flavors of MXF OP1a.

    Kevin Monahan
    Social Support Lead
    Adobe After Effects
    Adobe Premiere Pro
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  • Kevin Monahan

    April 17, 2013 at 7:37 pm in reply to: PAL to NTSC possible?

    Adobe After Effects: Converting movies from PAL to NTSC: https://adobe.ly/10hxpK3

    Kevin Monahan
    Social Support Lead
    Adobe After Effects
    Adobe Premiere Pro
    Adobe Systems, Inc.
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  • Kevin Monahan

    April 17, 2013 at 7:34 pm in reply to: **Danger Will Robinson** **Danger Will Robinson**

    [Richard Cardonna] “I think we should start posting our concerns on other forums starting with the adobe forums if we are to achieve critical mass.”

    As I have mentioned before, it would be best to focus your energies on filing your wants and needs here: https://www.adobe.com/cfusion/mmform/index.cfm?name=wishform

    Complaints or suggestions made in these and other forums will probably not reach the people at Adobe you want to reach unless you fill out the form.

    Kevin Monahan
    Social Support Lead
    Adobe After Effects
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  • Nice technique for CS6.

    You can flatten a multi-camera sequence much more easily in Premiere Pro Next, coming out soon. Just right click and choose Multicamera > Flatten.

    See this in action around 7:10 of this video:

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    Link: https://www.retooled.net/?cat=6&paged=2

    Kevin Monahan
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  • Kevin Monahan

    April 16, 2013 at 7:34 pm in reply to: Extend edit

    [Richard Taylor] “Can Premiere Pro perform an extend edit past another edit point?”

    No, you can only extend to the next edit point. You can extend again if you want to extend past two edit points. Make al feature request if you want it to pass through multiple edits: https://www.adobe.com/go/wish

    [Richard Taylor] “If not, if I place the target playhead at an edit point and perform an extend edit, will the edit go all the way to the playhead?”

    Yes. We can now trim to zero duration.

    Kevin Monahan
    Social Support Lead
    Adobe After Effects
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  • Kevin Monahan

    April 15, 2013 at 6:35 pm in reply to: Making the switch to Premier from FCP.

    [Shane Ross] “I didn’t make it this year. Too many family obligations to deal with.”

    Awesome. Hope you are enjoying your time with the family. I saw your video of the new home you’re getting. Touching. Congrats, my friend. Hope to see you next time I’m in LA.

    Kevin Monahan
    Social Support Lead
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    Adobe Systems, Inc.
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  • Kevin Monahan

    April 15, 2013 at 6:34 pm in reply to: Making the switch to Premier from FCP.

    [Tom Daigon] “Naming conventions strike again. Im pretty sure the correct name at this point is CS Next. 😛 :D”

    Premiere Pro Next, not CS Next. That’s what we called it at NAB, anyway. Not to be nitpicking, or anything. 🙂

    Kevin Monahan
    Social Support Lead
    Adobe After Effects
    Adobe Premiere Pro
    Adobe Systems, Inc.
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  • Kevin Monahan

    April 15, 2013 at 6:31 pm in reply to: Making the switch to Premier from FCP.

    [Shane Ross] “HA! Sorry, too many NLE’s and too many numbers. Avid is at MC6.5…thus the confusion.”

    No worries, I just didn’t want anyone think that we’ve released anything new.

    [Shane Ross] “CS7 answers most of our requests and concerns, that’s for DARN sure.”

    Judging the reaction at NAB, it’s going to be a very exciting release. BTW, I don’t think I saw you at NAB this year. Did you attend?

    Kevin Monahan
    Social Support Lead
    Adobe After Effects
    Adobe Premiere Pro
    Adobe Systems, Inc.
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  • Kevin Monahan

    April 15, 2013 at 6:25 pm in reply to: Making the switch to Premier from FCP.

    “[Steven Cohen] “I know Premier can work with a wide range of formats and codec’s but is the a standard or native format that works best.”

    [Shane Ross]Premiere has no standard codec. Avid has DNxHD, Apple has ProRes…Adobe doesn’t have one. It does render to MPEG-2…but that’s different. Premiere will work with ProRes just fine. Rather well, actually.”

    In Premiere Pro, we just use DNxHD or ProRes as the intermediate codec. With Premiere Pro Next, the integration is even tighter with these codecs. You can ingest with either of these codecs in Prelude, if you like. Export times are now much faster, as well.

    “[Steven Cohen] “From what I can see poking around in the CS 5.5 version”

    [Shane Ross] CS5.5 will frustrate the heck out of you. CS6.5 is better, but not quite there. CS7 will be the one you want to get…the most FCP like. I tried CS5.5 for a few days, and dropped it immediately. Don’t judge Premiere on CS5.5…it’s gotten LOADS better.”

    Premiere Pro CS6 is probably best for FCP to Premiere Pro switchers. Premiere Pro Next will be even easier to migrate to. The UI is very intuitive. BTW, there is no “Premiere Pro CS 6.5,” at least that I know about. 😉

    “[Steven Cohen] “I also do see a way yo output to tape, how is that accomplished?”

    [Shane Ross] Currently it’s not quite stable. Best to either export a ProRes file and use FCP…or use the output app of the capture card you have.”

    A new Tape Export dialog box is available in Premiere Pro Next.

    [Steven Cohen] “My final question (for now) is about closed captioning and that may be better suited for MacCaption to answer, but in FCP we can create a file and have FCP 7 lay the metadata to tape for HD Captioning.
    Yes I said we use FCP6, but for tape output we have 2 copies of FCP7 to handle the captioning.”

    Premiere Pro Next fully supports import and export of closed captioning files. You can also create your own CC files, add them to the Timeline, and trim the results to match picture.

    Kevin Monahan
    Social Support Lead
    Adobe After Effects
    Adobe Premiere Pro
    Adobe Systems, Inc.
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  • The benefits solve a lot of problems for our customers. large and small. Of course, I will continue to tell about those benefits, including how you might grow your business. Who doesn’t want to make more money?

    Regarding future pricing, I am not sure if your voice is being heard, Tom. There are only a few Adobe employees perusing Cow forums and we have no control or details about future pricing of our software.

    What I would suggest is that you file a feature request for each application you use to let those teams know how you feel. That should probably be your best plan of action. Others can do the same, too.

    Here’s the link: https://www.adobe.com/cfusion/mmform/index.cfm?name=wishform

    Thanks for your support.

    Kevin Monahan
    Social Support Lead
    Adobe After Effects
    Adobe Premiere Pro
    Adobe Systems, Inc.
    Follow Me on Twitter!

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